‘Jane Austen in Vermont’ wishes you all a Grand & Green Day!
[Vintage Postcard, printed in Germany L. & B. Serie 2230:
-domestic mail one cent, Foreign two cents!
-from the author’s collection]
When I have given talks on the publishing history of Pride and Prejudice, one of my favorite editions to share is the little-known Pride and Prejudice edited by K. M. Metcalfe and published by Oxford University Press in 1912.
I first “discovered” this edition several years ago when reading an essay by Margaret Lane in her book Purely for Pleasure (London, 1966), a collection of biographical pieces that never quite made it into book form. In a chapter on R. W. Chapman, she writes of an edition of P&P published by Oxford in 1912, edited by K. M. Metcalfe – that is, Katharine Metcalfe, a young tutor at Oxford’s Somerville College [there is, for the trivia minded, a Lady Metcalfe in P&P!]. It was “a new, textually accurate edition of P&P” [Lane] – and included an introduction, an overview of Austen’s life and works; essays on social history, domestic life, and language in the Regency period; as well as criticism and textual notes. There are no illustrations…
At some point in 1912, Metcalfe met Chapman, he an editor at the Oxford University Press – by all accounts it was a whirlwind courtship – they shared a love of book collecting! – and they married in 1913. Metcalfe clearly introduced Chapman to Austen and they planned to jointly produce an edited complete works. All was cut short by the First World War in which Chapman served, and Metcalfe, now married with children (and thus required to give up her fellowship) “had little time or strength for editorial labours.” [Lane, 197]. Chapman’s Oxford set of the novels was published in 1923. But Metcalfe had also published her own Northanger Abbey four months earlier [see Gilson, E151, what Kathryn Sutherland calls “an unexplained oddity” in her Jane Austen’s Textual Lives (Oxford, 2005)[Sutherland, 43]. The interesting bit is that the text of her own P&P edition (as well as her Northanger Abbey) was used for Chapman’s edition – same pagination, etc. – yet he does not mention her anywhere. In his 1948 Jane Austen: Facts and Problems he pens grateful acknowledgments to those critics…, etc., etc. and “my wife” in his preface.
[photo courtesy of J Barchas]
In Chapman’s Jane Austen: A Critical Bibliography (Oxford: Clarendon Press, 1953), again there is no mention of Metcalfe, but he annotates her 1912 edition of P&P thusly:
“This unassuming edition is equipped with a perceptive introduction and notes, and anticipates the textual rigours of the next item.” [Chapman, 6]
That next item is his 1923 edition of the novels! – which takes up a full page of annotation!
And he makes no mention at all of her 1923 Northanger Abbey!
Sutherland believes that Metcalfe essentially provided the model for Chapman’s editions – and she wonders at his public silence – I wonder what went on at their dinner table!! In studying Chapman’s papers, Sutherland does find that Metcalfe continued to work on editing the novels – there is a note in the margin of the Mansfield Park work in progress: “I want, oh so badly, to do it at least once with you.” [Sutherland, 44].
Don’t’ ever say that bibliography isn’t interesting!! – there is a novel in there somewhere!
So I have long had lingering questions – there has to be more to this story than just these few references in scholarly texts – who was she? what did she look like? how did Chapman seem to take over her earlier editing work? what really was Metcalfe’s influence on Chapman in the making of his great Oxford edition of Austen’s works, and what were her feelings about being surpassed as Austen’s editor, and barely referenced by her own husband for the work she did do.
Well, thanks to the diligent scholarly detective work of Janine Barchas, Professor of English at the University of Texas at Austin, and three years in the making, my questions, and yours, have finally been answered! Her essay has just been published online in The Review of English Studies: you will need access to their database – it will be in print in the next issue. [ link: https://academic.oup.com/res/article-abstract/doi/10.1093/res/hgw149/2999313/Why-K-M-Metcalfe-Mrs-Chapman-is-Really-the?redirectedFrom=fulltext ]
Finding many letters and notes in both the Chapman and Metcalfe papers at Chawton and the Bodleian, Barchas traces the complete history of Metcalfe’s editing and her hand in the subsequent work by Chapman.
Barchas found her own copy of this edition in an Australian bookstore – it is a presentation copy with Metcalfe’s inscription to her Uncle Hugh, sure proof of pride in her creation:
Presentation copy of Jane Austen’s Pride and Prejudice, edited by K. M. Metcalfe and inscribed by her to ‘Uncle Hugh’ (Oxford, 1912). Photo courtesy of J Barchas
At Chawton, Barchas discovers a letter addressed to the founder of the Chawton Cottage Museum (now the Jane Austen House Museum) where Metcalfe states “I was really the originator in the editing of Jane Austen (when I married my publisher in the process!)” (Letter to T. Edward Carpenter, 22 May 1954) [Barchas, 12].
Ferreting out the documented facts of the Metcalfe / Chapman collaboration, Barchas conveys the truth of the times:
“The mundane facts of the case may be sexist but it would be naïve and anachronistic to think these professional restraints surprising in historical context. Here is not a grand conspiracy but a commonplace wrong. Plenty of parallel examples exist in the history of editing where a woman’s scholarship became merely contributory to that of her male partner…” [Barchas, 7]
Find this essay however you can – it is brilliant in its recovery work of the woman who, long before Chapman, saw the importance of returning to Austen’s original editions to truly give the modern reader a pure printing of her work.
Katharine Marion Metcalfe, 1912. Photo was provided by the Chapman family for use in the RES article by J Barchas. This detail is used with her permission here.
I treasure my copy of Metcalfe’s Pride and Prejudice, despite a fair amount of writing and it smells a tad off (!), but I am very happy to own it, flaws and all! The introduction is a lovely meditation on Jane Austen and should be more readily available. Find this as well if and where you can. Hopefully the work now done by Professor Barchas might induce a publisher to issue an edition with Metcalfe’s insightful introduction. It should certainly stand proudly aside and before any of Chapman’s works.
About the author: Janine Barchas is Professor of English at the University of Texas at Austin. She is the author of Matters of Fact in Jane Austen: History, Location, and Celebrity (Johns Hopkins University Press, August 2012). Her first book, Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge UP, 2003), won the SHARP book prize for best work in the field of book history. You can visit (and spend hours browsing!) her online digital project What Jane Saw (www.whatjanesaw.org) which includes the gallery of the British Institution that Jane Austen visited on May 24, 1813 and the “Shakespeare Gallery of 1796.” Barchas, along with colleague Kristina Straub, recently curated an exhibition at the Folger on Will & Jane: Shakespeare, Austen, and the Cult of Celebrity. (You can read more about that exhibition here.)
Cut! Costume and the Cinema has been showing at the Columbia Museum of Art since November and closes today February 19, 2017. The exhibit takes us chronologically through the various fashions made for the movies by COSPROP, a London-based designer of authentic period costumes.
Step into the exciting world of costume design with CUT! Costume and the Cinema. Through more than 40 period costumes we will expose the art of making costumes for film. The exhibition will reveal how film costumes set the scene and establish authenticity in films. These perfectly crafted costumes uncover clues about a character’s status, age, class and wealth as well as their role in the story. The films represented in the exhibition depict five centuries of history, drama and comedy with period costumes worn by famous film stars Johnny Depp, Keira Knightley, Ralph Fiennes, Daniel Craig, Kate Winslet, Sandra Bullock, Uma Thurman, Angelica Huston, and many others. In all, more than 30 actors will be represented from 26 films…
World-renowned British costumer Cosprop Ltd. earned its first Academy Award for Costume Design in 1986 in A Room with a View. Since then, the costumier has been nominated more than a dozen times. In 2007 three of the five Oscar nominees came from the Cosprop shop, only to be topped by winning the following year for The Duchess. Like their period prototypes, these opulent costumes are crafted of sumptuous fabrics and decorated with intricate embroidery and lace.
[From the distributor’s website: http://www.exhibitsdevelopment.com/Cut!.html]
Watch this youtube of the exhibit when it was at the BYU Museum of Art:
This exhibition has been traveling for the past ten years and finally made it to South Carolina. Joyful that I could take pictures (no flash), and as alas! there is no exhibition catalogue, I here offer a good sampling of what was on view. A picture cannot nearly capture the exquisite detail of these fashions – they must be seen up close and personal. And quite amazing to see how tiny some of these actresses (and actors) actually are! It also offers a terrific list of must-see movies, some that had somehow fallen through the cracks and others to be revisited with a new-found appreciation for the costumes.
The costumes are arranged chronologically. And YES, there is a Jane Austen, but alas! only one … we begin in the Renaissance period with this stunning dark green velvet: (you can click on any picture to enlarge it and see more detail)
Angelica Huston in Ever After: A Cinderella Story (1998)
The Georgians: outlandish (and to-die-for) fashions from The Duchess (2008):
And a close-up of Keira Knightley’s Whig-inspired outfit, and this helpful description from the “Family Guide” to the exhibition:
Finally Jane Austen! Kate Winslet as Marianne in Sense and Sensibility (1995)
Victorian times with Dickens:
The wedding dress in the 1996 Jane Eyre (with William Hurt)
And the all important hoop for Victorian ladies:
Phantom of the Opera (2004) gives us these two stunning outfits, worn by Emmy Rossum and Minnie Driver:
We now head into the later 1880s and beyond with this from Henry James’ Portrait of a Lady, here a dress worn by Nicole Kidman (I want this!)
and this worn by Scarlett Johansson in The Prestige (2006)
– one of my favorite movies…
Finding Neverland (2004) with Kate Winslet yet again and Rahda Mitchell as Mrs. Barrie (look at the detail in this dress!)
We’ll give the men a short nod here with Robert Downey Jr. and Jude Law in Sherlock Holmes (2009):
In Love and War (1997) with Sandra Bullock (left) and
Amy Adams in Miss Pettigrew Lives for a Day (2008)
And finally, the costume that headlines all the publicity, this from The Land of the Blind, a movie I confess to knowing nothing about other than it starred Ralph Fiennes and had this gorgeous dress!
Movies included in the exhibition but my pictures were not worth posting (all movies worth seeing!):
Join the discussion: What are some of your favorite fashions from period movies or TV?
Wishing you all a very Happy New Year, with gratitude to all for your visits, your comments, and your discussions of all things Jane! ~ Thank you for including Jane Austen in Vermont in your daily blog surfing! Welcome to 2017! – Yikes, how did that happen?
Today in Jane Austen’s life: [from the JASNA-Wisconsin “A Year with Jane Austen” calendar]
I send you to a previous post on Jane Austen’s Very Own Scrooge!
[Dinner at Randalls at Chrismologist.blogspot.com]
Wishing You All a Very Merry Christmas!!
With Love from Deb
at Jane Austen in Vermont
Dear Gentle Readers: Please join me today as I welcome Julie Klassen with a guest post in celebration of the release of her newest book The Innkeeper of Ivy Hill. Julie tells of visiting Bath this past September for the Jane Austen Festival and the joys of dressing the part – Regency-style – for both she and her husband Brian. Below her guest post is information on her book and how you can enter to win the giveaways.
A Jane Austen Promenade
by Julie Klassen
This year, for the first time, I attended the Jane Austen Festival in Bath, England. The festival, held every September, draws hundreds of Jane Austen fans (like me) to one of the biggest gatherings of Regency reenactors in the world.
On Saturday, my husband and I participated in the “Grand Regency Costumed Promenade.” The Bath Jane Austen Festival achieved the Guinness World Record for “The largest gathering of people dressed in Regency costumes” in 2009 at 409. The number rose up to 550 in 2014. Since Bath already holds the record, they did not try to set a new one this year. Instead, we paraded through the streets of this historic city simply to enjoy ourselves, honor Jane Austen, and entertain the hundreds of onlookers who lined the parade route—locals as well as tourists from all over the world. This was fine with me, because I was not terribly interested in setting a world record, but I was determined to dress my husband as Mr. Darcy, and knew this would be my best chance.
Months ahead of time, we contacted an historical costume maker in England who has made similar gentleman’s attire. She sent us fabric swatches and I sent her Brian’s measurements. After some postal delays, we received the outfit. It did not fit Brian well at all at first—likely due to my poor measuring skills. But thankfully a friend-of-a-friend is a skilled seamstress, and she altered the pieces to fit Brian better. I also ordered Brian a top hat, gentlemen’s historically-accurate silk stockings, and pointy-toed shoes, which allowed him to dance at the ball better than he could in tall riding boots. You really can find almost anything online. He also wore his old Bell Ringer gloves. I didn’t bring any “how to tie a cravat” instructions, but thankfully another participant helped Brian tie his.
And I want you to notice his long sideburns or “side-whiskers” as they were called, which he grew out to please me and look more the part of an early 19th century gentleman.
I wore my new bonnet and the spencer jacket I blogged about previously (made by Matti’s Millinery), over my gold gown (made by my niece), as well as gloves and reticule. I also brought a silk parasol. The style is not 100% historically accurate, but with rain in the forecast, I decided it was “better safe than sorry.”
And, unfortunately, it rained a LOT during the promenade, and I was very glad indeed to have the waterproof umbrella. The streets and paths we trod were wet and dirty and I saw several ladies with hems “six inches deep in mud,” to quote Pride and Prejudice. But rain or shine, it was an enjoyable time anyway.
Have you ever participated in a Regency costume party or reenactment?
What did you wear?
Please comment below about your own Regency fashion experiences and you will be entered into the random drawing for two giveaways! The winner will receive a $20 Teavana gift card and a package of four inspirational British romances from four different eras (The Innkeeper of Ivy Hill by Julie Klassen, A Haven on Orchard Lane by Lawana Blackwell, The Lost Heiress by Roseanna M. White, Not by Sight by Kate Breslin). Deadline is December 21st – the winner will be notified on December 22.
Here’s the blog tour schedule (you can comment on any of the blogs to be entered into the drawing):
The lifeblood of the village of Ivy Hill is its coaching inn, The Bell. When the innkeeper dies suddenly, his genteel wife, Jane Bell, becomes the reluctant landlady. Jane has no idea how to manage a business, but with the town’s livelihood at stake and a large loan due, she must quickly find a way to save the inn.
Despite their strained relationship, Jane turns to her resentful mother-in-law, Thora, for help. Formerly mistress of The Bell, Thora is struggling to overcome her losses and find purpose for the future. As she works with Jane, two men from her past vie for her attention, but Thora has promised herself never to marry again. Will one of them convince her to embrace a second chance at love?
As pressure mounts from the bank, Jane employs new methods, and puzzles over the intentions of several men who seem to have a vested interest in the place, including a mysterious newcomer with secret plans of his own. With the help of friends old and new, can Jane restore life to the inn, and to her empty heart as well?
Visit talesfromivyhill.com to find a map of the village, character profiles, a book giveaway, and more!
I will say that Julie has done it again! – offering her readers a fully-developed world in a small English village during the Regency period, this time an intriguing tale of Inn-keeping – we have: Coaching inns and Carriages; Women characters in precarious positions trying to manage in a patriarchal world; there is Cookery and housekeeping details (love this!); every character has a secret and there is a mystery to be solved; and of course there is Love – of various sorts and with a fair amount of guessing as to who might be best suited. This is Book I of Julie’s projected series of three books – all with characters introduced here. As Julie says in her interview on the blog From Pemberley to Milton:
The series tells the stories of four women facing life-altering challenges with the help of their quirky neighbors and intriguing newcomers. Each novel will have a romance and drama wrap up in a hopefully satisfying way, while the main character’s story spans all three books. The series celebrates the strong bonds of friendship, because in a small village like Ivy Hill, everyone is connected, like leaves on a vine.
Book II, The Ladies of Ivy Cottage will be released in December 2017, and Book III, The Bride of Ivy Green, December 2018. I am only disappointed that I must wait so long to engage with these endearing characters once more!
For more on Julie’s trip to England to research her novels, here’s her tour of Lacock Village,
the inspiration for The Innkeeper of Ivy Hill:
**(You might be interested to know that Julie is going to be leading a tour next September (2017) to many of the places that have served as inspiration for her novels. You can view details here: http://concertandstudytours.com/julie-klassen-coast-tour/).
JULIE KLASSEN loves all things Jane–Jane Eyre and Jane Austen. A graduate of the University of Illinois, Julie worked in publishing for sixteen years and now writes full-time. Her books have been honored with the Christy Award for Historical Romance, the Minnesota Book Award, and the Midwest Book Award, among others. Julie and her husband have two sons and live in a suburb of St. Paul, Minnesota. For more information, visit www.julieklassen.com and also at these author links:
A hearty thank you to Amy Green of Bethany House Publishers and to Julie Klassen for inviting me to join this Blog Tour. Don’t forget to comment to be entered into the drawing – Good luck one and all and Happy Reading!
The first order of business today, on this 241st birthday of Jane Austen, is the annual publication of JASNA’s Persuasions On-Line Vol. 37, No. 1 (Winter 2016). Click here for the Table of Contents to yet another inspiring collection of essays, some from the 2016 AGM in Washington DC on EMMA AT 200, “NO ONE BUT HERSELF” – and other “Miscellany” – all about Jane Austen…and perfect winter reading material…
Here is the link: http://www.jasna.org/persuasions/on-line/vol37no1/toc.html
Here are the essays: (you might especially notice Gillian Dow’s essay on the Emma exhibition at Chawton House Library this year (website under redevelopment til Christmas) – for those of you who could not attend, this is the next best thing to being there!)
“Small, Trifling Presents”: Giving and Receiving in Emma
Divas in the Drawing Room, or Italian Opera Comes to Highbury
Jeffrey Nigro and Andrea Cawelti
Multimedia Emma: Three Adaptations
Linda Troost and Sayre Greenfield
Discerning Voice through Austen Said: Free Indirect Discourse, Coding, and Interpretive (Un)Certainty
Laura Moneyham White and Carmen Smith
Curious Distinctions in Sense and Sensibility
Looking for Mr. Darcy: The Role of the Viewer in Creating a Cultural Icon
Austen at the Ends of the Earth: The Near and the Far in Persuasion
Jane Austen Bibliography, 2015
Let’s look at what Austen’s father wrote about her arrival on December 16, 1775:
You have doubtless been for some time in expectation of hearing from Hampshire, and perhaps wondered a little we were in our old age grown such bad reckoners but so it was, for Cassy certainly expected to have been brought to bed a month ago: however last night the time came, and without a great deal of warning, everything was soon happily over. We have now another girl, a present plaything for her sister Cassy and a future companion. She is to be Jenny, and seems to me as if she would be as like Henry, as Cassy is to Neddy. Your sister thank God is pure well after it, and send her love to you and my brother, not forgetting James and Philly…
[Letter from Mr. Austen to his sister Philadelphia Walter, December 17, 1775, as quoted from Deirdre Le Faye, Jane Austen, A Family Record, Cambridge, 2004, p.27.]
Happy Birthday Miss Austen! – you continue to inspire, intrigue, and offer insights like no other!