When I was in Library School, one of my favorite classes was a study of book conservation and visit to the NEDCC (the Northeast Document Conservation Center) – this I thought was the place where the things I most loved were given the care they sorely needed. Sadly, I didn’t go into that field [hindsight is a dreadful thing!] – I was more into reading and making sure the right book got into the right person’s hands, believing that our system of free libraries was the grandest example of a free world. I remember as a 15 year-old page in our hometown library, roaming the shelves and discovering the Brownings, and rather than doing my job of re-shelving (I confess this now many years later), I was secretly discovering Poetry, finding Love and Words in the pages of these old books. I’ve never lost that love of an old book – the smell, the touch, the beauty of bindings and paper, the scribbled notes or bookplates or inscriptions of previous owners – not to mention the story being told. That I ended up a used bookseller was likely destiny at work – my favorite set of books in my home was an 1890 Encyclopedia Britannica! (I was not the most current student in history class!)
We now live in a world where the physical book is being rejected for the joy of carrying around 1500 titles on a small tablet that we can also use for all manner of interruptive connections to the real world. This escape into a book can be initiated wherever you are, whenever you want, without the inconvenience of lugging around poundage – I readily admit to loving my kindle! – But it is not the same, no matter how many people argue the point. I don’t remember the books I read this way – I don’t retain where such and such was on a particular page, I miss that smell, that touch, that communion with a physical object that has a history that somehow brings me closer to the author or a binder or papermaker or some previous owner or owners.
[1898 Dent edition of Jane Austen’s novels – trivia: what is missing??]
I think, I have to believe that the book is not Dead, that an appreciation for the book as an object of beauty and worth may even be stronger than ever, fear of it all disappearing making it all the more valuable to us. And this then brings us to Book Conservation. Because if we don’t take care we shall be losing our very own heritage. I have had any number of books come across my desk that are in appalling states, either too well loved through the years, or just left to disintegrate in some old attic or basement – it is one of the saddest things to encounter really – a book of special significance that is rendered nearly worthless by its poor condition. Enter the conservationist! – Magic can happen! I have been fortunate in finding the most brilliant of these magicians, who has salvaged many a book for me and my customers … And though the value of a repaired work can be affected by such tampering, it is the return to its former state that is the end result, to preserve, protect and savor for the future… The digitizing efforts of so many of our libraries is a glorious thing – making so much accessible to all – I marvel at what is only a keystroke away – but preserving the original must and should be part of this plan.
And this brings us to Chawton House Library and their appeal for their book conservation program – they need our help!
The history of the Chawton House Library [CHL] is a well-known story, at least among most of my readers here, who perhaps have come to know of CHL because Jane Austen brought us there. Read its history if you don’t know it, and you will come away with unending gratitude to Sandy Lerner for making it all possible. If you have read Dale Spender’s classic Mothers of the Novel: 100 Good Women Writers before Jane Austen (Pandora 1986), and other various titles on the subject, you know that the entire literary tradition of women writers has been essentially silenced – if you are over 50, how many women writers did you read in college? How many did you even know about? The foundation and purpose of CHL has been to correct that horrible omission in our collective history, to give these women writers a home of their own, and to make sure none of them are ever again consigned to the neglected heap of second-class literature.
The CHL website offers a wealth of information on many of these women writers:
- CHL online catalogue [Heritage Cirqa Online]: http://chawtn.cirqahosting.com/HeritageScripts/Hapi.dll/search1
- Digitized works available online: http://www.chawtonhouse.org/?page_id=55488
[for example: Aphra Behn’s The Rover; or, the Banish’d Cavaliers (1729), and Penelope Aubin’s The Inhuman Stepmother, or the History of Miss Harriot Montague (1770)]
- Biographies of women writers written by scholars: http://www.chawtonhouse.org/?page_id=55503
- The quarterly publication The Female Spectator is mailed to those who become Friends of the Library. Some of the past issues are available online from 1995 – 2010 here: http://www.chawtonhouse.org/?page_id=55522
Frontispiece, vol. 1 The Female Spectator, by Eliza Haywood (1744-46) – the title CHL now uses for its quarterly newsletter [image: wikipedia]
But the books themselves, the majority really, are in need of repair. Keith Arscott, the Development Director of CHL, in the kick-off for this fund-raising effort, writes:
Thanks to our first and biggest single donation to date – over $3,000 from the George Cadbury Quaker Foundation – we have been able to organise our first conservation skills training day for 10 of our library volunteers to be run by a professional conservator. The donation also covers the first purchase of materials to enable our first volunteers to make a start. And for those of you that don’t know, we also had two generous donations at the reception – one from a red rose and the other from a yellow! [the reception for CHL members at the JASNA AGM in Montreal – we were all given roses!] But it is only a start – the Book Condition Survey that we were able to commission after a number of successful funding initiatives concluded that the cost of such a conservation programme would be easily a very large six figure sum – if all the conservation work was undertaken by professional conservators in studio conditions. However, the tremendous interest that our appeal has had with volunteers and their willingness to give their time to help with much of the work – means we have an appeal target in mind of something in the $90,000 range.
And so this is where your help is needed. Gillian Dow, the Executive Director, writes on the website that “small amounts of money can make a very big difference to our programme” and outlines how any donation can contribute to protecting this unique collection:
- £1 / $1.70 can buy document repair tape
- £6 / $10 can buy unbleached cotton archival ribbon
- £10 / $17 can buy an archival box to protect a fragile book
- £100 / $162 can pay for a full set of conservation equipment including unbleached cotton archival ribbon, document repair tape and archival boxes
- £300 / $486 can pay for a volunteer training day, giving a whole team the necessary skills to carry out vital conservation work
- £500 / $809 can restore a complete volume
*You can visit the CHL website to watch a film on the program: http://www.chawtonhouse.org/?page_id=58943
*You can also find on the CHL blog this post by Giorgia Genco, “A Career in Book Conservation” where she writes about assisting in the training of volunteers in this new program: http://www.chawtonhouse.org/?library_blog=a-career-in-book-conservation
*And here, some great PR from the BBC: last November, they visited CHL and produced a video on the appeal, where Frankenstein and Sense & Sensibility are featured among other titles: http://www.bbc.com/news/uk-england-hampshire-29949168
*For those of you near Chawton, there is an evening lecture on February 12, 2015 at 6:30 pm on “Conserving a Unique Literary Heritage at Chawton House Library” with library conservator Caroline Bendix – it is free, but donations graciously accepted! – and you must register [but alas! the event is fully booked!]: http://www.chawtonhouse.org/?lectures_talks=conserving-a-unique-literary-heritage-at-chawton-house-library
How to donate? For those of you living in the States, you can donate online directly to the North American Friends of Chawton House Library (NAFCHL) [NAFCHL is a U.S. 501 (c) (3) tax-exempt organization and all donations are deductible for purposes of U.S. income taxes]. NAFCHL will acknowledge U.S. donations as being specifically allocated to our Book Conservation Appeal. See the link on the right sidebar on this page: http://www.chawtonhouse.org/?page_id=58943 . [Everyone else can donate by visiting the same page and choosing the “Virgin Money Giving” link.]
Mary Brunton (1778-1818) – Jane Austen writes about Brunton in her letters [image: wikipedia]
You will find if you spend a bit of time on the CHL website just how many of these women writers have been resurrected from their centuries-long oblivion. They are being studied more than ever as our female literary tradition finds its rightful place in the history of literature. The Chawton House Library has been and continues to be instrumental in finding and keeping these materials – the books, manuscripts, diaries, letters, and artifacts – and we need to preserve it all as best we can so that the Book as we now know it will be there for future generations of readers and scholars. Any donation will be greatly appreciated…hope you can help!
Sources and further reading:
- Chawton House Library website: http://www.chawtonhouse.org/
- CHL Facbook Page: https://facebook.com/ChawtonHouseLibrary
- Book conservation at the NEDCC: https://www.nedcc.org/
- Preservation leaflets from the NEDCC [Free]: https://www.nedcc.org/free-resources/preservation-leaflets/overview
- Online exhibit: “Under Covers: The Art and Science of Book Conservation”: https://www.lib.uchicago.edu/e/webexhibits/scienceofconservation/
- Book Arts Web links on book conservation: http://www.philobiblon.com/pressite.shtml
- American Institute for Conservation: http://cool.conservation-us.org/index.html
- Winterthur Library & Museum [example of many such library departments]: http://www.winterthur.org/?p=460
- The Morgan Library and Museum Conservation Center: http://www.themorgan.org/thaw-conservation-center
- And to end with something about Jane Austen, an essay from the Conservation Center at the Morgan that tells the tale of Austen’s letters and what has been learned in the process of their preservation: “Jane Austen’s Writing: A Technical Perspective” http://www.themorgan.org/blog/jane-austens-writing-technical-perspective