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…has launched today! – visit the website What Jane Saw and you can follow Jane Austen as she tours the exhibit!

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The perfect time-travel adventure – it is May 24, 1813 –  what do you see?…

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From the website: [
http://www.whatjanesaw.org/index.php
]

On 24 May 1813, Jane Austen visited an important and  much-talked-about art exhibit at the British Institution in Pall Mall, London. The show  was a retrospective of the works of Sir Joshua Reynolds (1723-1792), England’s  celebrated portrait painter.

No visual record of this show is known to have survived, although it  attracted hundreds of daily visitors during its much-publicized three-month run.  However, many details of the exhibit can be reconstructed from the original 1813  “Catalogue of Pictures,” a one-shilling pamphlet purchased by visitors as a guide  through the three large rooms where hung 141 paintings by Reynolds. Armed with  surviving copies of this pamphlet, narrative accounts in nineteenth-century newspapers  and books, and precise architectural measurements of the British Institution’s exhibit  space, this website reconstructs the Reynolds show as Jane Austen (as well as any Jane  Doe) saw it.

I. Why reconstruct this museum exhibit from 1813?

In truth, even if Jane Austen had not attended this public  exhibit, it would still be well worth reconstructing. The British Institution’s show  was a star-studded “first” of great magnitude for the art community and a turning point  in the history of modern exhibit practices. The 1813 show amounted to the first  commemorative exhibition devoted to a single artist ever staged by an institution.  Although Reynolds, who had died a mere twenty-one years earlier, did not yet qualify as  an Old Master, he was already hailed as the founder of the British School and  celebrated as a model for contemporary artists to emulate. The preface to the exhibit  catalogue, written by Richard Payne Knight, treats the work of Sir Joshua Reynolds as a  national treasure in order “to call attention generally to British, in preference to  Foreign Art” (Knight, 9). Knight allows that some of Reynolds’ paintings are better  than others, likening the show to a pedagogical tool for artists and connoisseurs. He  also insists upon the show’s modernity, hailing “the genuine excellence of modern”  artists over the work of their forbearers (Knight, 9). In light of the coverage it  received in the popular press and the London crowds that attended, the British  Institution’s Reynolds exhibit presaged the modern museum blockbuster.

In the age before the photograph, portraits of the rich and famous were  often reproduced by engravers as inexpensive prints. These black and white  reproductions circulated Reynolds’ images of contemporary celebrities widely,  providing pinups to the middling consumer. In this manner, Reynolds’ works  functioned as the modern photographs of Annie Leibovitz do today, making it  hard to say whether he recorded or created celebrity with his art. Wherever  possible, the light-boxes in the e-exhibit therefore show an early engraving  as well as the original canvas. Reynolds’ portraits of “abnormally interesting  people” whom we now term celebrities offer concrete examples of just how  someone like Austen, who did not personally circulate among the social elite,  was nonetheless immersed in England’s vibrant celebrity culture (Roach,  1).

More questions are answered under the About WJS page:

  • Is there a connection between this exhibit and Jane Austen’s fiction?
  • Who, other than the Austens, attended this 1813 exhibit?
  • How did visitors in 1813 experience the British Institution?
  • Did the Catalogue function as a museum guide in 1813?
  • How historically accurate is this website?
  • Room for interpretation and improvement
  • Works Cited / Site Credits

It is a rainy weekend here in Vermont – what better way to spend a few hours but at such an exhibition as this!

Further reading:

reynolds - self-portrait detail - britannica

Sir Joshua Reynolds

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Janine Barchas is Associate Professor of English at the University of Texas at Austin.  She is the author of  Matters of Fact in Jane Austen: History, Location, and Celebrity (Johns Hopkins University Press, August 2012).  Her  first book, Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge UP, 2003), won the SHARP book prize for best work in the field of book history.  Her newest project is the website What Jane Saw (www.whatjanesaw.org).

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c2013 Jane Austen in Vermont

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We have been both to the Exhibition & Sir J. Reynolds’, – and I am disappointed, for there was nothing like Mrs. D. [Darcy] at either. – I can only imagine that Mr. D. prizes any Picture of her too much to like it should be exposed to the public eye. – I can imagine he w’d have that sort [of omitted] feeling – that mixture of Love, Pride & Delicacy.- Setting aside this disappointment, I had great amusement among the Pictures…”

[Jane Austen, Letter 85, Monday 24 May 1813]

Those who have read Jane Austen’s letters are familiar with her comments on visiting London. It has been an ongoing project of mine to figure out where she went and what she did and how she uses the pieces of her London treks in her novels.  One of the more interesting and frustrating is her reference to the art exhibit of Sir Joshua Reynolds – what did she see there, other than not finding a portrait of Mrs. Darcy? It has been revealed today that we will now have a chance to see exactly that, sort of following Jane herself around the galleries, as Professor Janine Barchas of the University of Texas at Austin launches What Jane Saw - a complete reconstruction of that exhibit. You will surely want to bookmark this new website and mark your calendars to view the happening on May 24, 2013!

From the website:

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On 24 May 1813, Jane Austen visited an art exhibit at the British Institution in Pall Mall, London. The popular show was the first-ever retrospective of the works of Sir Joshua Reynolds (1723-1792), England’s celebrated portrait painter.  On 24 May 2013, two centuries to the day that Austen viewed the 141 paintings in that exhibit, this site will open its doors as a public e-gallery, offering the modern visitor a precise historical reconstruction of that long-lost Regency blockbuster.

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I will be posting more on this as we near the launch date – this is very exciting, so stay tuned!!

[image from What Jane Saw]

reynolds - self-portrait detail - britannica

Self-portrait of Sir Joshua Reynolds

c2013 Jane Austen in Vermont

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The March/April issue (No. 62, 2013) of Jane Austen’s Regency World magazine is published this week!

JARW62_CoverSmall_1
In it you can read about…

  • Austentatious: the theatre group that is improvising Austen themes
  • What Jane did next: life at Chawton Cottage after the publication of Pride & Prejudice
  • Secrets of a happy marriage: the Leigh-Perrots were a devoted couple
  • Portraits of perfection: miniature paintings were fashionable in Georgian drawing rooms
  • Lonely as a cloud: the life of William Wordsworth, Jane’s contemporary
  • Plus News, Letters, Book Reviews and information from Jane Austen Societies in the US, UK and Australia

To subscribe click here.

[If you would like the magazine delivered to your tablet, visit the JARW partner magzter and subscribe there.]

William Wordsworth

William Wordsworth

[Image: The Guardian]

 

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The July/August issue of Jane Austen’s Regency World magazine is published this weekend and will be mailed to subscribers next week. In it you can read about: 

*A Royal Affair: a new film depicts the scandal that rocked a European monarchy 

*Olympic Jane: as the 2012 Games open in London, we look at the sports that Jane might have played

*Bath Jane Austen Festival: an exclusive preview of the fun planned for September

*Stand and deliver! the terror of highwaymen that threatened Jane’s friends and family

*Gothic horror: how Jane Austen satirised the latest literary fashion

*Plus News, Letters, Book Reviews and information from Jane Austen Societies in the US, UK and Australia

To subscribe now click here – and make sure that you are among the first to read all the news from Jane Austen’s Regency World.

Text and image from JARW – you can now read more about Jane’s world on the magazine’s new website, blog, and facebook pages here:

@2012 Jane Austen in Vermont

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Day 4: Thursday 22 December 2011

For Your Enjoyment

A plug for the Jane Austen’s Regency World Magazine – if you don’t already subscribe, time to treat yourself by asking for it for Christmas; or a perfect gift for your best Jane Austen fan friend…

The next issue, Jan/Feb 2012, Issue 55 will be on sale January 1, 2012!

 

Contents:

  • An interview with P. D. James [on the cover] ~ on her love of Austen and her new book Death Comes to Pemberley
  • Regency Childbirth ~ Pregnancy horrors in Georgian times
  • Let it Snow, Let it Snow ~ exploring the winter weather in Jane’s novels
  • Letter to Cassandra ~ the joy of seeing Austen’s handwriting
  • Austen’s Contemporaries ~ the ‘other’ Jane ~ Jane Porter, and her sister Anna Maria

And of course all the regular columns from JAS, JASNA, the topical news from contemporary papers, the quiz, and so much more – even the advertisements are interesting!

You can visit the magazine’s website here.

You can subscribe online here: 

http://www.janeaustenmagazine.co.uk/subscriptions.html

  • from outside the UK: £29.70 plus £9.00 postage [@ $60.74 total]
  • from inside the UK: £29.70 plus £3.30 postage

…and worth every penny!

Copyright @2011 Jane Austen in Vermont

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Regency Dancing was how young ladies and young gentlemen met and courted, and the dance floor was often the only place they could talk without being overheard by their chaperones. As was to be expected, the dancing was lively and flirtateous. The dancing needs to be accurate and elegant, but always remember that it is also about love and young people having fun.

A lovely email from a Gentleman in England alerted me to this new website on Regency Dances [
http://RegencyDances.org
 ]. 

From his email:

Launched in January, the site is a free learning resource for Regency Dances. As well as providing dance notations, the dances are shown as animations.  This combination of watching the animation while following the notation has been found to be an excellent way of quickly understanding the structure of a dance.  The dances are taken from original 18th -19th century sources and written into modern notation by experienced dancers under the watchful eye of a recognised international expert. 

Two or three new dances are added each week.  To keep informed you can “follow” them on Twitter at
http://twitter.com/RegencyDances

The objective of
http://RegencyDances.org
is to create an international shared website resource independent of any specific dance group for (a) sharing genuine Regency dances of known provenance, (b) sharing news of upcoming Regency balls, and (c) sharing information about other Regency groups. 

The site includes a history of the dances, the various dance steps presented in animations, lists of dances and music sources, plans on how to organize a Regency party, a listing of various societies and upcoming events, and a very informative section on “What to Wear” which includes the details of the era fashions and how to locate or make your very own costume.

Please visit the site if you have any interest in the dance of Jane Austen’s period – new information is being constantly added, and the site editors are “looking for sources of recorded music that we may use, videos of single dances to be selected as examples of ‘good practice’ and a few more editors.”

If you are a member of a Regency dance group, certainly add your name and events to their growing list.

[Image: Regency Dances website]

Copyright @2011 by Deb Barnum of Jane Austen in Vermont.

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The Huntington Library is hosting an exhibit “Revisiting the Regency: England, 1811-1820″ from April 23 – August 1, 2011:

A new exhibition takes a closer look at a glittering yet turbulent era.  In October of 1810, England’s King George III slipped into that final madness from which only death would release him, nearly a decade later. The following February, Parliament authorized the king’s estranged and profligate eldest son, the Prince of Wales (the future George IV), to rule in his place as regent. Extravagant, emotional, controversial, and self-indulgent, the prince regent lent his name and many of his characteristics to a glittering era. 

In commemoration of the 200th anniversary of this extraordinary decade, The Huntington presents an exhibition titled “Revisiting the Regency: England, 1811–1820.” Opening April 23 in the West Hall of the Library and continuing through Aug. 1, the exhibition draws on The Huntington’s extensive holdings of rare books, manuscripts, prints, and drawings documenting this historic era.

The term “Regency England” usually evokes Jane Austen’s world of graceful country-house living and decorous village society, the elegance of London’s fashionable elite, or the licentious activities of the prince and his aristocratic Carlton House set. Ladies followed the latest fashions in La Belle Assemblée while gentlemen copied Beau Brummell’s severe elegance. Readers found new works by a generation of England’s greatest poets and novelists: Austen, Lord Byron, John Keats, Samuel Taylor Coleridge, and Sir Walter Scott. Londoners enjoyed a rich theatrical and musical life, watching Edmund Kean’s premiere in Richard III or hearing the first English production of Mozart’s Don Giovanni. Art lovers followed the latest exhibits at the Royal Academy. Under the prince’s patronage, architect John Nash created the fantasy Royal Pavilion at Brighton and remade London’s West End with the new developments of Regent’s Park and Regent Street.

Yet underneath this ordered upper-class surface lay a far more complex and turbulent world: more than a century of intermittent war with France ended at Waterloo, but peace revealed wrenching poverty, social unrest, the strains of rapid industrialization, and growing calls for political reform. The first railroads, gas lighting, and other advances in technology altered the landscape of everyday life.

This rich cavalcade of people and events provided irresistible targets for a brilliant generation of visual satirists. The witty, savage, and iconic images of George Cruikshank and his fellow caricaturists, well represented in the exhibition, capture all the vagaries of an extraordinary decade in English arts, letters, science, and society.

[Text and images from the Huntington Library website]

Copyright @2011, by Deb Barnum of Jane Austen in Vermont

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Cavendish Square

You are Cordially Invited to JASNA-Vermont’s March Meeting 

~Jane Austen’s London in Fact & Fiction ~ 

with 
  Suzanne Boden* & Deborah Barnum** 

Jane Austen and London! ~ Why did she go & How did she get there? ~ Where did she stay & What did she do? ~ Was it a ‘Scene of Dissipation & Vice’ or a place of lively ‘Amusement’ filled with Shopping, the Theatre, Art Galleries & Menageries? ~ And her fiction? ~ How does Mr. Darcy know where to find Lydia and Wickham? And Why does nearly everyone in Sense & Sensibility go to Town? To find out all this  & more absolutely essential Austen biographical & geographical trivia, please… 

Join Us for a Visual Tour of Regency London!

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Sunday, 27 March 2011, 2 – 4 p.m. 

 Champlain College, Hauke Conference Center,
375 Maple St Burlington VT

Free & Open to the Public
Light refreshments served

For more information:   JASNAVermont [at] gmail [dot] com  Please visit our blog at:
http://JaneAustenInVermont.wordpress.com

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Suzanne & Deb will share their mutual love of London! ~ *Suzanne Boden is the well-traveled proprietress of The Governor’s House in Hyde Park, where she regularly holds Jane Austen Weekends: 
http://www.onehundredmain.com/
; **Deb Barnum is the owner of Bygone Books, a shop of fine used & collectible books, the Regional Coordinator for the Vermont Region of JASNA,  author of the JASNA-Vermont blog, and compiler of the annual Jane Austen Bibliography.   

Upcoming:  June 5: A Lecture & Organ Recital on ‘The Musical World of Jane Austen’ with Professor William Tortolano.  At Vermont College of Fine Arts, Montpelier.  See blog for details.

[Image:  Blackfriars Bridge, 1802.  The City of London.  London: The Times, circa 1928, facing p. 192]

Copyright @2011, by Deb Barnum, at Jane Austen in Vermont

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Want to understand more about the life of a Regency-era woman? Nancy Mayer of Regency Researcher  fame will be offering an online workshop on “The Regency Woman.” The class is offered through the Colorado Romance Writers  and will run from April 4 – 29, 2011. Cost is $25. for non-members, $20. for members. 

The Regency Woman: Online Workshop at Colorado RomanceWriters

April 4 – 29, 2011

DESCRIPTION: The Regency woman. She was a woman of stern morals and little laughter. A governess who didn’t feel oppressed and a governess who did. She owned her own business. She was an author, a poet, a scientist, a runaway. She lived a discreet and quiet life and she was notorious. She was the faithful wife and the mother of many children, or a divorced woman who had to give up her children to escape her husband.

No one pattern, not even a pattern card of propriety, fits all the women but despite their differences there were some things they had in common. The class will look at the world of the Regency woman from the domestic, political, social, and economic angles, using the lives of real women as examples. While I will try to include a great deal of new material, some of the information I have presented before has to be repeated.

BIO: Nancy Mayer has been trying to write Regency romances for more years than she wants to remember. She is always getting distracted and sidetracked by research.

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[text and image from CWR]

Visit the website for more information and to sign-up. Scroll down to find Nancy’s class and read about the other interesting workshops as well! [The class is run as a Yahoo Group.]

Copyright @2011, by Deb Barnum, of Jane Austen in Vermont

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Please join us today as we interview Sue Forgue, creator of the fabulous Regency Encyclopedia  website.  I did a Follow Friday  for Sue’s website a few months back, and Laurel Ann at Austenprose  did the same a few weeks ago to announce the recent changes to the fashion module.  Sue has also recently written two articles:    “The Mighty Muslin in the JASNA News (Vol. 26, No. 3, Winter 2010); and What’s in a Name?” JASNA News (Vol. 25, No. 3, Winter 2009) -  where you can get a taste of what is in the “encyclopedia.”

So we welcome Sue, as she celebrates the fifth anniversary of her Regency-related undertaking!

JAIV:  Hello Sue!  Lovely photograph of you in your Regency attire!  It is nice to connect in cyberspace if not right here in Vermont – and great to meet you in Portland  -  I can finally put a face to your name! – So please start if you will, by telling us a little about yourself.

SF:  I enjoyed meeting you in Portland too but I’ve greatly enjoyed our emails pondering the details of Regency London since then as well. Briefly, my background is that I’m an accountant working for a family with a very wide array of interests. My degree is in classical voice and I thought I was going to be an opera star in my twenties but yeah, life happened.

JAIV:  An opera star! – how exciting!

How and when did you begin the website? Is this completely an avocation or part of your work-life? And why the Regency period – why this time and place?

SB:  After the 1995 version of P & P, an explosion of Austen fan fiction websites exploded all over the web. At first, the community was pretty small and I got a reputation as one of the history buffs. Writers would ask me questions about the period and many times when I went to research, I’d get caught up reading something else in the book I was paging through. Six or eight hours later, maybe I’d remember I was supposed to be looking for an answer for someone. So, to be a lot more disciplined, I started typing my notes into an Excel spreadsheet. When one of those writers turned out to be a programmer, Victoria of JAFF Index fame, and heard about the spreadsheet, she was the one who encouraged me to make it into a website. Since then, the site has grown organically through users’ suggestions and contributions of their own research. Yes, this is completely maintained by me in my free time – it’s my labor of love and contribution to the cosmos.

As to why the Regency period, there are certain times in history that just appeal to me and Regency England is one of them. While there were many bad things the Victorians have to be thanked for getting rid of, the Georgians seem to be more accessible to us because of their upper class elegance and their more realist attitudes to subjects such as the seven deadly sins.

Although I have to say, while I love this period, just about any outside source will get me started researching a historical era. For example, when I Claudius aired, not only did I read the Robert Graves books it was based on, but I actually went back to the original Suetonius and read that too. I guess I’m just historically curious.

 

JAIV:  The Fashion Gallery is very extensive and impressive! – when did you begin your love affair with Regency fashion?

SF:  Oh that’s easy to answer – I grew up with it. My mother graduated from the Art Institute of Chicago with a degree in fashion design and had a career before she married my father, so there were lots of art books in the house and on every vacation, we were sure to visit an art museum in every place we visited. Don’t know why, but I was always more interested in the history of fashion books that were stored in our basement.

JAIV:  The new fashion modules of color palettes and ‘Dressing the Doll’ is great fun! – I have been mixing and matching teals and lavenders and coming up with all sorts of lovely (and hideous!) fashion statements! Was this suggested to you to do or was it always in your plans if the technology bugs could be worked out?

SF:  The Dress the Doll feature was something I’ve wanted to do from the beginning and did have to wait for the right time both because of the programming to achieve it and I felt there were more pressing projects that needed to be launched first such as the Map Module. However, as I said, this has been a priority from the beginning but as there are already a few very fine websites where you can play around and have a lot of fun doing it, I didn’t know how historically accurate the colors chosen were or if the garments were just copied from the movie adaptations. Since I had a huge database of prints given to me in 2009, the time was then right to explore that ready-made gold mine of information. The more I catalogued, the more curious I became about what exactly morone or hessian green looked like and the grand search commenced to find something that showed me what those colors were. Still haven’t found that ultimate source but I did the best I could with the html codes for the color swatches.

 

JAIV:  The Map Gallery is an amazing creation! – all that information of where places were, when addresses changed, buildings disappearing, and so many maps! I have been doing some of this locating on maps and find there are at times discrepancies in written texts about addresses, etc. What is your most reliable source for verifying locations? And explain if you can about how you have acquired permission to use the Horwood maps [see below for an example].

SF:  Thank you, I have to say the Tour of London is my favorite part of the website. I used many sources to identify the shops. There are historians’ books that mention addresses in passing plus I have three digitized London directories from 1799, 1819 and 1822 that gave me some addresses. Also, some of the shops still in existence like Fortnum & Mason have a history section on their websites and that could be helpful as well as merchants moved around a lot.

I stumbled into using the Horwood map panels and I’m very grateful that I did. The users told me that they wanted a more detailed map of London than what I had for the Time and Distance calculations and I identified a couple of possibilities. The first person I contacted ignored me and the second refused permission to use their map panels, even with me paying for permission. A Google search brought me to the A to Z Guide of Regency London that you’ve quoted many times in your blog posts. A few phone calls to the UK and my credit card to purchase the rights from the publisher and the Guildhall Library got the ball rolling.

JAIV:   You say the site is “a collection of interesting sound bites about the era” – are there any areas you would like to develop further?

SF:  Oh gosh yes. Have to finish the other five Dress the Dolls first but then I want to expand the Chronology module with a late Georgian era almanac – you know, if this is your birthday, you share a birthday with…. and these are the famous things that happened in … and maybe add a few other bells and whistles.

After that, I’ve been kicking around an apothecary’s module with a database of plants used in what remedies curing what ailments. If I do it, I have a source I can use, but as I’m not a scientist, I don’t know if I’d get royally bored with all the Latin and medical terms.

And who knows, I’ve been surprised with special gifts from friends. The original source material for both the Georgina Names and the Fashion Gallery was given me from a friend in the UK and that happily detoured the update of the Chronology module twice.

JAIV:  Oh, I love this idea of an apothecary module!  And Mr. Perry could be our gossipy guide!

You do keep the website as requiring a log-in and password, but see that you have recently added links to other sites that have made the logins public [with your permission of course!] – Why do you prefer to maintain it as a private site? And have there been any problems with making it more accessible?

SF:  It started out as a hindrance to nasty hackers, as my programmer was very much concerned about unauthorized people messing with the site but I’ve found it very helpful to know where people are coming from, as knowing who’s using the site does play a part in determining what’s the next module or how we’re going to enhance the current ones. For example, we get more visitors from the fan fiction community than from academia, so I’m more inclined to provide programming that’s of a more “practical” usage to authors actively writing.

I’ve had a couple of people complain about trying to find the entrance information but if you know the site is called the Regency Encyclopedia and Google it, the first couple of entries will bring you to sites with a user id and password. But, I do want to be welcoming, so that’s why we have the links to other sites upfront while still putting up a hurdle for hackers.

JAIV:  I know you have been begun to do a series of talks on Jane Austen’s London in your area [alas! too far for me!] – Tell us a little about your talks. And what questions are you most often asked?

SF:  And I wish I could be at your lecture! Jane Austen mentioned all these London street names in the novels and we sort of let that all slide past us as we’re reading. When I started plotting them out for the Tour of Regency London and looked around the neighborhood, all kinds of Duh moments hit me in the head. When you locate these streets on a period map, you’ll start to see all sorts of possibilities in terms of Austen’s characters. My lecture concentrates on the social geography of where Austen’s characters live and we travel from the City of London in the east to Mayfair in the west, talking about the social implications of living where she put those characters.

As to questions, hmmm, they’ve been all over the map. Sorry, bad pun. People are really interested in how people lived so they question me on those details. LOL, I was more scared of not being able to answer people’s questions than giving the lecture that first time.

 

JAIV:  We could talk at length about London, but will ask “What is your favorite place in London?” or at least the place you would want to spend more time in?

SF:  Oh, unlike Elizabeth Bennet, put me any fine house richly furnished and I’ll be happy, lol. Of course, most of those houses also have a lot of history and portraits of people in them too. Seriously, the National Portrait Gallery is one of my favorite haunts as I’m fascinated by how people wanted to present themselves to the world over the centuries. I’ll probably be found there for an afternoon when I’m back in the UK in July.

JAIV:  Do you think Jane Austen liked London, or was it as she humorously says “A Scene of Dissipation and Vice” where her morals were sure to be corrupted!?

SF:  As I say in the conclusion of my lecture, I feel that just by the amount of misfortune Austen sets in London that she disapproves of the metropolis, as most people of the time did, but you also see her fascination with it as a source of dramatic momentum. Things “happen” in London.

JAIV:  You have a very nice bibliography of sources listed on the site. What would you consider the most indispensable of your reference sources? And after that? – if someone was starting a Regency collection, what top five books should they have?

SF:  Everything by Deirdre Le Faye to start with. I also like the David M. Shapard annotations and the Claire Tomalin biography of Austen. These are the first ones that come off the top of my head for starting a collection. I have other favorites for certain subjects but that’s more specialized and maybe not of interest for someone just getting their feet wet.

JAIV:  Yes, the Tomalin biography is lovely, as are all her other biographies.  And what would we do without Deirdre Le Faye!

What title would you say in on the top of your wish-list?

SF:  Ha! You mean after more time and money? I was quite disappointed that Santa spent all his time at the second-hand bookstores and missed the easy purchase of the new Selwyn book on Children. [David Selwyn, Jane Austen and Children] Hope the message gets through loud and clear to the Birthday Bunny.

JAIV:  Well, hopefully that ‘Birthday Bunny’ is reading this! – it is a great read, so I do hope you get it soon!

I find I learn something new every day – there is so much “out there” and unless one stays on top of it every minute, a whole new website or blog or image or map will have passed you by? How do you stay current?

SF:  It’s not easy, that’s for sure. I have two methods of staying current: the first is to make a daily constitutional of all my Austen bookmarked sites. Most times, I’ll get my first notice of new blogs or book recommendations from all of you. The second is to use my website statistics where I can track the URLs of people stopping by to visit.

JAIV:  What has been a recent discovery for you? And what has been your latest “I’m completely stumped” moment?

SF:  Last year, I read a book on pregnancy and childbirth that came highly recommended to me (Judith Schneid Lewis, In the Family Way, Childbearing in the British Aristocracy, 1760-1860) where I was stunned to learn that unlike the Victorians, women did not hide away if they were showing and that a confinement started when the baby was born. The other eye-opener was to read about all the double entendres in Austen’s fiction according to Jill Heydt-Stevenson’s Austen’s Unbecoming Conjunctions. That book alone has provided hours of stimulating conversation among friends and family.

The stumper, and I hope this doesn’t gross people out, is that I’m still wondering about those female hygiene matters. I assume they used rags for their monthlies but how did they stay put without safety pins? Wearing those flimsy dresses, did ladies shave their underarms or did they sew shields in their sleeves like the men had in their shirts? I know I’ll be visiting the Museum of Fashion in Bath in July, so hopefully a curator there can answer that for me.

JAIV:  Any plans to write a book of your own?

SF:  Oh heck no. But then again, I never expected to be writing articles or a lecture either.

JAIV:  What do you do in your spare time?? [ is there any?!]

SF:  Not as much as I’d like for all my other interests. I love traveling and seeing things when I can afford the time and expense. So many things, like needlework and singing, I used to enjoy but don’t have time for any more.

JAIV:  What else do you read other than Regency period books? – Fiction? Non-fiction? Biography? Regency Romance?

SF:  Politics, Current Events and yes, I have a stash of Regency Romance too. They’re my therapy when the accounting gets too overwhelming and I start dreaming in numbers.

JAIV:  So who is on your Regency Romance shelf?

Two most favorite Regency writers are Julia Quinn & Regina Jeffers. Reading too many historians to venture into the actual literature of the age – though I did force myself to read Pierce Egan’s Life in London.  Sigh, I thought I was going to enjoy it a lot more than I did. I swear, I just cannot understand these writers’ love affair with the semi-colon.

JAIV:  And of course the oft-asked- really-cannot-answer-question: What is your favorite Jane Austen? And Why?

SF:  You can’t knock a classic like Pride and Prejudice off the literary pedestal since I know I wish I were more like Elizabeth Bennet in temperament and I just love the decorous but biting social humor in it. While the other novels do have elements of social satire, I don’t think you’re chuckling from almost end to end in any other of the major novels. However, I do have soft spots in my heart for Marianne Dashwood as I was just as bad a hopeless romantic at age 17 as she is and I also cheer for Anne Elliot, who triumphs over every hurdle thrown her way with such grace.

JAIV:  Your thoughts on Google Books and ebooks, etc…

SF:  I love both books you can hold in your hands and the ebooks. For me, I want to have a physical book for the Austen related subjects so I can flip through it again and again easily. But there are very few books on politics or current events that once I’ve read them, I want to keep on my bookshelf collecting dust, so I actually prefer those on ebooks.

JAIV:   Anything else you want to share about your website or your plans for future additions to it?

SF:  Well, I sort of let the cat out the bag earlier on the future direction of the website but I do thank you for these very thoughtful questions. I’ve very much enjoyed answering them. You’re a treasure Deb and I value your friendship. Thank you for all you do!

*********************

Thank YOU Sue, for all that You do! and for stopping by here to give the very interesting details about yourself and your on-going Regency project.  If anyone has any questions for Sue, please ask away – I will see that she answers them! – alas! no prize giveaways here today, except the prize of learning more about Sue’s website and the Regency period! – Take some time and go for a walk through the pages of the Regency Encyclopedia, ending it all with “dressing the doll” in the costume of your choice!

Note:  to access the site you will need the following: [case-sensitive]

Login:  JAScholar
Password: Academia

Thanks again Sue – It has been great fun learning more about you!
Everyone else ? – please comment with any questions for Sue!

[Images from The Regency Encyclopedia, @ Sue Forgue, 2011]

Copyright @2011, by Deb Barnum at Jane Austen in Vermont

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