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Updated with results below:

This week, a portrait of the Prince Regent, a.k.a. Prinnie and later George IV, is up for sale at Skinner. Here is the chance you’ve been waiting for – to have his mighty visage staring down at you from your library walls! Whatever would Jane Austen say? – she was not, as we know, a big fan of the Prince. [for more information on Austen’s 1815 visit to Carlton House and the Prince Regent’s Librarian, click here.]

Prince of Wales

Prince of Wales

British School, 18th/19th Century ~ George IV as The Prince of Wales

Auction Details: 

Skinner 2754B European Furniture & Decorative Artshttp://www.skinnerinc.com/auctions/2754B
October 11, 2014 10:00AM, 63 Park Plaza, Boston

Lot 566: British School, 18th/19th Century ~ George IV as The Prince of Wales http://www.skinnerinc.com/auctions/2754B/lots/566

Estimate: $1,000 – $1,500 SOLD for $615.

Description:

British School, 18th/19th Century – George IV as The Prince of Wales

  • Unsigned, with labels including one from The Closson Art Galleries, Cincinnati, on the stretcher.
  • Oil on canvas, 28 1/4 x 23 3/4 in. (71.5 x 60.5 cm), framed.
  • Condition: Lined, retouch, fine craquelure, surface accretions.

N.B. The portrait is somewhat similar in feel to that painted by John Russell, RA, in 1789, now in the collection of the Fogg Art Museum, Harvard University, which may have been the inspiration for this copy.

Stretcher incised “W.MORRILL/LINER” u.c. bar. Also with a label from Art Conservation & Services, San Francisco, California, on the stretcher. Other period labels on the stretcher are unattributed and variously inscribed with numbers. One more promising label is inscribed “S.Buckly & Co/8-5-21″

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See the full Auction catalogue for a stunning collection of fine silver, snuff boxes, paintings, porcelain, furnishings, and other decorative arts.

And here is the Prince later as George IV and what the caricaturists and his own profligate ways made of him:

A-voluptuary-wp

A Voluptuary under the horrors of Digestion (1792)
by  James Gillray  [Wikipedia]


c2014 Jane Austen in Vermont

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UPDATE:  Prices realized [with buyer's premium] are noted as made available

I wonder what is going on – I posted last week on several upcoming auctions with a number of Jane Austen offerings – and now I write about even more – there seems to an abundance, more than usual – why is this do you think??

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I will start with this, out of date order, but perhaps the most unique, interesting, (and expensive) to us:

Sothebys – 10 December 2013: English Literature, History, Children’s Books & Illustrations. London.

Lot 283:

Sothebys-JA Portrait-12-10-13

Austen, Jane – by James Andrews. PORTRAIT OF JANE AUSTEN.

watercolour over pencil heightened with gouache on card, depicting the author with brown curly hair and hazel eyes seated and facing towards the right, in a white frilled bonnet with light blue ribbon and a white dress with a dark blue ribbon under the bust, a small section at the bottom of the portrait apparently unfinished, oval, 143 x 100mm (overall sheet size 170 x 125mm), 1869, series of pin-holes at the top and bottom of the card, pencil markings probably by the engraver, mounted, framed, and glazed, frame size 327 x 247mm, the frame being a reused lid from a casket or box, French or German, probably eighteenth century, walnut inlaid with boulle-style marquetry of flowers and scrollwork in brass, silver, ivory, and mother of pearl, loss to surface of portrait probably due to insect damage, mostly affecting the dress, slight discolouration at edges seemingly where previously mounted in a rectangular frame.

The portrait of Jane Austen was commissioned by her nephew, James Edward Austen-Leigh, to illustrate his memoir of his aunt. This watercolor by painter James Andrews was the basis for the engraved version that is the best known and most reproduced image of Austen. It has been in the family ever since.

Estimate: £150,000 — 200,000 

[Note: For those of you in the New York area, this portrait will be on view from November 19 to 21 on the fourth floor of Sotheby's, 1334 York Ave at 72nd St. Sotheby's is open from 10 to 5. ]

There are other must-have items at this auction – see below [all are in chronological order]

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Swanns Galleries.  November 21, 2013. 19TH & 20TH CENTURY LITERATURE. Sale 2332.

Lot 4:

Swann-MP-11-21-13-

AUSTEN, JANE. Mansfield Park. 2 volumes. Philadelphia: Carey & Lea, 1832.

4 page publisher’s catalogue inserted at front of volume 1. 8vo, original publisher’s 1/4 cloth-backed drab boards, lettering labels on spines (absent but for trace remnants on each volume, and with small contemporary institutional labels either perished or remnant only below on each volume), cocked, few short splits at spine tips, generally mild staining and light wear to boards, corners rubbed with light exposure; hinges tender, pastedowns coming loose from boards in volume 1, scattered foxing throughout, at times heavily to volume 2, occasional small chips at deckle, old penciled numerals on front free endpapers, paper repairs on 2 leaves in volume 1 with no loss of text; housed in custom drop-back cloth case.

First american edition, extremely rare in the original binding. One of 1250 copies printed. Few copies of any of Austen’s first American editions have survived. “No appearance of the 1832 M[ansfield] P[ark] at auction has been traced” (Gilson, rev. ed., 1997). A survey of ABPC and AE records only one unsophisticated copy sold in the last 30 years. Gilson B4.

Estimate $4,000 – 6,000 – Price Realized $5,376

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Lot 5:

Swann-P&P2nd-11-21-13AUSTEN, JANE. Pride and Prejudice. Second Edition. London: Printed for T. Egerton, 1813.

3 volumes. Lacking half-titles. 12mo, contemporary 1/2 calf over marbled boards, spine gilt with leather lettering pieces (two perished, one with partial loss), covers and spines scuffed with some splitting along spine ends, fore-edges bumped in areas, joints strengthened; scattered light foxing, neat contemporary ownership inscriptions on title-page of each volume.

The less common second edition. According to Gilson, the publishing history is rather furtive (“The size of the edition is not known”). It does differ from the first edition in that it is entirely reset, resulting in occasional variations within the page. In addition, there are numerous small changes to spelling and punctuation and, occasionally, a change in wording (see Gilson A4 for list of alterations.); Chapman 4.

Estimate $3,000 – 4,000 – Price Realized $4,096
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Swann-novels-11-21-13Lot 6:  

AUSTEN, JANE. The Novels. Edinburgh: John Grant, 1911-12.

12 volumes. Portrait frontispiece to volume 1. 8vo, later 1/4 olive calf, spine gilt in 5 compartments with gilt-lettered morocco lettering pieces in 1, top edges gilt. the Winchester Edition, a bright and clean set. One of the more desirable editions of Austen’s works.

Estimate $800 – 1,200 – Price Realized  $1,875

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Also of interest: [to me anyway!]- as well as some wonderful offerings in children’s literature, lots of Dickens, alas! only one Hardy, but some lovely Hemingways and Twains…

Lot 238:  

Swann-Steinbeck-11-21-13Steinbeck, John. ASSOCIATION COPY WITH ‘PIGASUS’ DRAWING.
The Grapes of Wrath
. New York: Viking, (1939)

8vo, publisher’s pictorial tan cloth, covers clean with virtually no rubbing or wear; outer pastedown edges with faint evidence of binder’s glue as usual, though with no offsetting to facing endpapers; first state dust jacket, mild rubbing to folds, small skillful restorations to spine panel tips and flap folds, bright and clean, a superb example with the original $2.75 price present.

First edition, an excellent association copy, inscribed on the front free endpaper “For Jules and Joyce and also Joan [underlined] with love John Steinbeck.” Below his signature Steinbeck added his “Pigasus” drawing. Jules Buck was a movie producer; he and Steinbeck made an early attempt toward a collaborative screenplay for what would become Elia Kazan’s “Viva Zapata,” though Steinbeck’s contribution was such that he received sole credit. Buck produced such post-war film classics as Robert Siodmak’s The Killers (based on the story by Ernest Hemingway), and Jules Dassin’s The Naked City. His wife Joyce Gates was an actress and their daughter Joan became the editor of French Vogue. Steinbeck generally reserved his flying pig doodle for close friends or significant occasions. In a letter (March, 1983) Elaine Steinbeck explained the significance of the image: “The Pigasus symbol came from my husband’s fertile, joyful, and often wild imagination … John would never have been so presumptuous as to use the winged horse as his symbol; the little pig said that man must try to attain the heavens though his equipment be meager. Man must aspire though he be earthbound” (The Martha Heasley Cox Center for Steinbeck Studies). An excellent inscribed copy with a fine association. Goldstone & Payne A12.a.

Estimate $18,000 – 25,000 – Price Realized $18,750
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Swann-Cruikshank-11-21-13Lot 71: 

[Cruikshank, Isaac Robert]. UNRECORDED CRUIKSHANK (illus.). Mock Heroics, on Snuff, Tobacco, and Gin; And A Rhapsody on an Inkstand by J. Elagnitin. London: Hodgson and Co., 1822.

Frontispiece and 3 full page color engravings by I. R. Cruikshank. 8vo, contemporary full dark green crushed morocco, French fillet covers, spine decorated in gilt in compartments, all edges gilt, wide inner dentelles, by Riviere; tiny marginal repair on frontispiece, mild offsetting to title-page, else quite clean.

First edition of rare Cruikshank title with very bright, clean impressions of the plates. Shows London denizens taking snuff, on the pipe, at the debauch, and a more lonely pursuit. Not in Krumbhaar. 

Estimate $700 – 1,000 – Price Realized $469 

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Doyle, New York. Monday, November 25, 2013 at 10am Rare Books, Autographs & Photographs – Sale 13BP04

Lot 522:

Doyle-JAset-11-25-13-2AUSTEN, JANE. The Novels. Edinburgh: John Grant, 1911-12.

The Winchester edition. Twelve volumes, full blue morocco gilt, the spines elaborately tooled and lettered in gilt with red morocco lettering labels, top edge gilt. 8 1/2 x 5 1/2 inches (22 x 14 cm). A fine and attractive set.

Estimate $1,000-1,500

[Note: This set is similar to the one noted above, just with a different binding - which do you like best?]
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There is quite a collection of photographs and political collectibles at this auction, including this Tom Jones, Theodore Roosevelt’s copy:

Doyle-Fielding-11-25-13-2Lot 515:

FIELDING, HENRY. The History of Tom Jones, a Foundling. London: printed for A. Millar, over-against Catharine-Street in the Strand, 1749. First edition, Theodore Roosevelt’s copy, with his “Qui plantavit curabit” bookplate to each pastedown. Six volumes, later full brown morocco gilt, all edges gilt. 6 1/4 x 3 3/4 inches (16 1/2 x 10 cm); with the errata leaf present in vol. I and with most called for cancels: Vol. I: B9, 10; Vol. II: N12; Vol. III: H8-10, M3; Vol. IV: B1, Vol. V: N8. [without the cancels at B4 and 5 in vol. II and Q11 in vol. III]. A 1910 inscription to front free endpaper on vol. I in an unknown hand, some foxing throughout, D10 in vol 2 with tear not affecting text, joints and extremities rubbed, losses to lettering labels, a sound set.
First edition of one of the earliest English works to be called a novel – with a very fine American provenance.

Estimate $2,000-3,000

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Sotheby’s auction December 5, 2013 New York:  Fine Books and Manuscripts, Including Americana

This is my birthday, so in case you are wondering what I might like, I will take any of these…

Lot 85:

Sothebys-S&S-12-5-13

Austen, Jane. Sense and Sensibility. London: Printed for the Author and published by T. Egerton, 1811.

3 volumes, 12mo (6 3/4 x 4 in.; 172 x 104 mm). Half-titles  (with the correct length of rules as called for) in all volumes but lacking the terminal blanks in each, lower corner of B2 torn away in vol. 1, very occasional and mostly marginal faint staining throughout. Modern three quarter tan morocco and linen cloth by Sangorski and Sutcliffe, red morocco labels.

Estimate: $20,000 — 30,000. Did Not Sell

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Lot 86:

Pride and Prejudice: A Novel. London: T. Egerton, 1813

3 volumes, 12mo (6 3/4 x 4 1/16 in.; 171 x 105 mm). Lacks half-titles, some staining and browning throughout but less so  in vols. 2 and 3, closed tear in gutter of first text page in vol. 1 and last of vol. 3,  front endpapers lacking in last Sothebys-P&P-12-5-13volume. Contemporary half calf and marbled boards, spines with six gilt-ruled compartments and black morocco labels, a little rubbed overall, with minor wear at head of volume 1.

Estimate: $20,000 — 30,000

SOLD for $46,875.

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Lot 87:

Sothebys-MP-12-5-13Austen, Jane. Mansfield Park. London: Printed for T. Egerton, 1814

3 volumes. 12mo (6 7/8 x 4 1/4 in.; 176 x 105 mm). Lacking half-titles but terminal blanks present, lower corner of Q3 in vol. 1 torn away, vol. 3 pg. 175 with clean tear repaired, few light stray spots to title pages, but text  unusually free from staining and browning. Near-contemporary half calf and marbled boards, spines gilt in 5 compartments, red and black morocco labels; sides rubbed, vol.1 rebacked preserving spine, upper joint of vol. 3 starting.

Estimate: $7,000 — 10,000 – SOLD for $13,750.
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Lot 88: 

Sothebys-E-12-5-13

Austen, Jane. Emma: A Novel. London: Printed for John Murray, 1816.

3 volumes, 12mo (6 ¼ x 4 1/8 in.; 165 x 105 mm). Lacking half-titles; intermittent spotting and some staining, more so in vol. 2.  Near-contemporary half calf and marbled boards, spines gilt in 5 compartments with black morocco labels; some rubbing to sides and minor shelfwear along bottom edges, some skinning at top of spine ends.

Estimate: $7,000 — 9,000 – SOLD for $11,875.
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Sothebys-NA&P-12-5-13Lot 89:

Austen, Jane. Northanger Abbey: and Persuasion. London, John Murray, 1818.

4 volumes, 12mo (6 3/4 x 4 1/4 in.; 172 x 106 mm). Lacking half-titles; some very minor and mostly marginal spotting. Contemporary black half roan and marbled boards, spines ruled and gilt-titled; some rubbing to joints, slight wear at corners and along bottom edge, but a generally handsome set.

Estimate : $5,000 — 7,000 – SOLD for $8,125.

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Other items of interest at this auction:

Lot 92: Love this binding!

Sothebys-Cecilia-12-5-13

Burney, Frances. Cecilia, or Memoires of an Heiress. London: for T Payne and Son and T Cadell, 1782

5 volumes, 12mo (6 3/4 x 4 ins; 172 x 100 mm). Advertisement leaf present in first volume, vols. 2, 3, 5 lacking rear endpapers. Contemporary calf, rebacked to style with red morocco and green morocco labels.

Estimate: $2,000 — 4,000.
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Lot 93:

Sothebys-Camilla-12-5-13Burney, Frances. Camilla: or a Picture of Youth.  London: for T. Payne, T. Cadell Jun and W. Davies, 1796

5 volumes, 12mo (174 x 102 mm). The occasional proud gathering and a few closed marginal tears to a handul leaves only. Contemporary speckled calf, single rule border to sides, spines with double-ruled compartments, green morocco labels; trace of rubbing to joints, upper joint of vol. 2 tender, but a lovely set.

Estimate: $3,000 — 5,000.
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Lot 96:

Sothebys-Byron-12-5-13Byron, George Gordon, Lord. Autograph verses for The Corsair. [1814].

Autograph fragment of two verses. 1 page (7 x 1 in.; 180 x 28 mm). Mounted in a portfolio with a portrait of the author; “And sad & lonely mid the holy calm /  Near Theseus’ fence y on solitary Palm.”

These two lines are the verses 1213 and 1214 of The Corsair, Canto III, published in 1814. In the edition of the Works of Lord Byron (Coleridge & Prothero, 1898-1905), the verses are: “And, dun and sombre ‘mid the holy calm, / Near Theseus’ fane yon solitary palm.”

Together with: autograph letter, signed (“Lord Byron” in third person). 1 page (8 5/3 x 6 7/8 in.; 219 x 175 mm), “13 Piccadilly Terrace, August 15th 1815″; to an unidentified correspondent: “Lord Byron presents his compliments to Mr. Juling [?] & would be glad to know if the letter of which he encloses the cover was not overcharged upon the [District?] stated on the address by the postman. The charge was thirteen pence half penny”. Formerly folded, soiling and foxing, tiny repair on the address. –Autograph address panel, cut from the address leaf of a letter addressed to his sister, August Leigh. 1 page (4 3/4 x 3 in.; 121 x 75 mm); wax seal; mounted in tinted roan folder.

Estimate: $4,000 — 6,000. 

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Sothebys – 10 December 2013: English Literature, History, Children’s Books & Illustrations. London

This auction includes the portrait noted above, but there a number of other offerings worth sharing: see the catalogue online where you will find a treasure-trove of children’s books and their illustrators  [Rackham, Tolkien, Potter, Robinson, Shepard, Pogany, Nielsen, Dulac, De Brunhoff, Carroll, Blyton, and more] , and also Johnson, Dickens, Pope, and Swift… and more…

Lot 284:

Sothbys-Bronte-12-10-13

[Brontë, Charlotte]. JANE EYRE. AN AUTOBIOGRAPHY. EDITED BY CURRER BELL. SMITH, ELDER AND CO., 1847

8vo (198 x 124mm), 3 volumes, first edition of the author’s first published novel, half-titles, publisher’s 32pp. catalogue dated October 1847 at the end of volume 1, without the extra advertisement leaf present in some copies (no priority), original dark greyish reddish brown vertically-ribbed cloth, covers decorated in blind with triple line border enclosing decorative trellis-like border, pale yellow endpapers, tear to inner margin of T2 in volume 1 (not affecting text), small portion of lower outer margin of U3 in volume 2 torn away (also not affecting text), occasional foxing and browning to text leaves, lower hinges of volumes 1 and 3 starting, hinge of upper hinge of volume 2 slightly cracked, cloth at top of spine of volume 1 slightly chipped, further slight edge-wear to covers and some slight fading.

Estimate: £35,000 — 45,000 

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These are just fun!

Lot 219:

Sothebys-cards-12-10-13

Playing cards: Popish Plot cards. [LONDON: ROBERT WALTON, C. 1679 OR LATER]

52 cards, each 90 x 54mm., engraved with captions, grey patterned versos, 12 mounted in a frame, the rest in a folder attached to the back of the frame,  three cards somewhat worn (two of diamonds, ten of spades and ace of hearts), king of clubs torn with loss of club symbol.

Estimate: £2,500 — 3,000
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There are several other playing cards on offer as well – another example – because the images are fabulous!

Sothebys-cards_opera-12-10-13Lot 236:

Playing cards: The Beggar’s Opera [LONDON: JOHN BOWLES, C. 1730]

52 cards, each 95 x 62mm., engraved with the hearts and diamonds coloured in red, plain versos, 13 mounted in a frame, the rest in a folder attached to the back of the frame, a few cards cut close, a few light stains

Estimate: £3,000 — 5,000

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Lot 335:

Sothebys-Cruikshank-12-10-13

Cruikshank, George. THE OUTRAGED HUSBAND.

165 by 228mm., ink and watercolour drawing, signed lower right, mounted, framed and glazed, some minor browning at extremities from former mount

Estimate: £1,500 — 2,000 

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Some great items to add to your wish list! – go to the auction catalogues for even more treasures! Happy hunting [and wishing…]

C2013 Jane Austen in Vermont

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UPDATE: Prices Realized added as available, includes buyer’s premium

There is much going on with Jane Austen and the Auction Block in the next month! – just this past week, Gorringes at their October 23, 2013 Fine Art, Antiques & Collectables auction – Sale LOCT13, had this on offer: Estimate £2,000-3,000.  SOLD for £11,000 !

Gorringes-letter-10-23-13

Lot 1454:

Austen, Jane.  An autograph manuscript fragment, comprising four lines, attached to another leaf bearing authentication, in turn attached to a letter from her nephew, James Edward Austen-Leigh, written on paper bearing watermark date 1868, at Bray Vicarage, February 7, 1870, presenting the fragment to Rev. G. C. Berkeley: ‘Men may get into the habit of repeating the words of our Prayers by rote, perhaps without thoroughly understanding – certainly without thoroughly feeling their full force and meaning.’ All attached to the title page of a copy of Austen-Leigh’s ‘A Memoir of Jane Austen…’ fragment approximately 1.75 x 6in.

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Upcoming auctions:  an abundance of Austen, Austen’s Circle, and Regency-era prints – I include various items because they are too wonderful not to share, but please visit each auction house site to see the “infinite variety” of offerings:

Bloomsbury: 7 November 2013. Library of a Gentleman: Fine Colour Plate, Costume, Travel and Sporting Books. London.

This auction is filled with Ackerman, Rowlandson, Cruickshank, Gillray and others! – here are a few examples, but go have a look at this treasure-trove for a Gentleman OR a Lady!

Lot 1:

AckermannsLondon-bloomsbury-11-7-13

Ackermann’s London – “Billingsgate Market”

Ackermann, (Rudolph). Microcosm of London.

3 vol., first edition, early issue  with several of Abbey’s 12 “key plates” in first state (nos.1, 5, 8, 10, 11 & 18 and possibly 9), lacking half-titles, with wood-engraved pictorial titles, engraved dedication leaves, 104 hand-coloured aquatint plates after Rowlandson and Pugin, offsetting from plates but plates generally clean, some text leaves in vol.1 browned, handsome contemporary diced russia with elaborate gilt borders and cornerpieces, by C.Hering with his ticket, g.e., rebacked preserving old gilt spines, later cloth slip-cases edged in morocco, [Abbey Scenery 212; Tooley 7], 4to,  [1808-10].

Early issue bound from the original parts, watermarked 1806-07 and with all the 13 errata at end of vol.3 uncorrected and the Contents leaf in vol.1 headed “Contents”. However, the imprint of the wood-engraved title to vol.2 does not have a comma after “Bensley” but that in vol.1 does.

Estimate: £3,000 – £5,000; Starting Bid £2,600 – Sold for £4464

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Lot 2:

Agg-Foppish-Bloomsbury-11-7-13

“Foppish Attitudes” from The Busy Body, or Men and Manners

[Agg (John)] The Busy Body, or Men and Manners, edited by Humphrey Hedgehog, vol.1 & 2 only (parts 1-12), 11 hand-coloured aquatint plates by Williams, a little browning and offsetting, later tan calf, gilt, by Rivière & Son, spines gilt, g.e., spines chipped at head, joints split with covers becoming loose, 8vo, J.Johnston, 1816-17.

Estimate £200 – £300; starting Bid £180  – Sold for £211

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Lot 3:

DrivingDiscoveries-Bloomsbury-11-7-13

“Driving Discoveries”

[Alken (Henry)] – the set of 7 hand-coloured etchings by Henry Alken, very slight marginal soiling, bookplates of William Henry Smith, Viscount Hambleden and George Seton Veitch, handsome later scarlet morocco, by Rivière & Son, covers with gilt border and upper cover titled and dated in gilt, spine gilt in compartments with five raised bands, g.e., corners very slightly rubbed, an excellent copy, [Siltzer pp.57 & 69; Tooley 25], oblong 4to, S. & J.Fuller, 1817 [watermarked 1821].

Estimate: £600 – £800; starting Bid £500 – Sold for £1364

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Lot 37:

Evelina-bloomsbury-11-7-13[Burney (Fanny)] Evelina: or Female Life in London: being the History of a Young Lady’s Introduction to Fashionable Life, and the Gay Scenes of the Metropolis, hand-coloured engraved additional pictorial title and 6 plates after W.Heath, all but one aquatints, most offset onto text, some browning, bookplates of Charles C.Auchinloss and Hon.John Wayland Leslie, contemporary mottled calf, gilt, spine gilt with red morocco label, small gouge to lower cover, preserved in later red silk folder (a little rubbed and faded), red morocco slip-case (slightly darkened at edges), [Tooley 119], 8vo, 1822.

⁂ ***Originally published in 1778 under the title Evelina, or, A Young Lady’s Entrance into the World but reissued with this title following the popularity of Egan’s Life in London..

Estimate £200 – £300; starting Bid £180 – Sold for £496

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Lot 267:

Dacre-school-bloomsbury-11-7-13

Dacre (Charlotte). The School for Friends, a Domestic Tale, first edition, hand-coloured etched frontispiece and vignette title by Thomas Rowlandson, 12pp. text, lightly soiled and stained, stitched in original blue wrappers with paper label on upper wrapper, uncut, slightly soiled, preserved in later cloth portfolio and morocco-backed cloth slip-case, spine faded, 8vo, Thomas Tegg, [c.1800].

One copy only listed on COPAC, in the National Library of Scotland..

Estimate: £200 – £300; starting bid £180 – Sold for £3968

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Lot 274:

Rowlandson-miseries-bloomsbury-11-7-13

Rowlandson: “A Stag at Bay”

Rowlandson, Thomas. Miseries of Human Life”

Hand-coloured etched title and 50 plates by Thomas Rowlandson, without the rare ‘Pall Mall’ plate but replaced with ‘The Chiropodist’ as often and with an additional plate ‘The Enraged Vicar’ (signed and dated in plate 1805), otherwise with all plates as listed in the Abbey copy, light foxing, mostly marginal but affecting a few images, ex-library copy with bookplate and ink accession number to lower margin of first plate (otherwise unstamped), later olive morocco, gilt, by Rivière & Son, spine gilt, t.e.g., rather faded and a little rubbed, covers warped, upper joint repaired, [Abbey, Life 317], 4to, R. Ackermann, [1808].

Estimate: £500 – £700; Starting Bid £440 – Sold for £1054

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Lot 279:

Collier-Rowlandson-bloomsbury-11-7-13

[Collier (Jane)] An Essay on the Art of Ingeniously Tormenting.

Half-title, folding etched frontispiece and 4 plates by Rowlandson after G.M.Woodward, all hand-coloured, frontispiece with short tear repaired, text browned, later tan calf, gilt, spine gilt, t.e.g., others uncut, a little rubbed, upper joint split, 12mo, 1808.

Estimate: £100 – £150; Starting Bid £90 – Sold for £112

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Lot 288:

Rowlandson-syntaxbookseller-bloomsbury-11-7-13

Rowlandson: “Doctor Syntax and Bookseller”

[Combe (William)] The Tour of Doctor Syntax, in Search of the Picturesque. A Poem.

First edition, second issue with “Canto I”, hand-coloured aquatint frontispiece, vignette title and 29 plates by Rowlandson, 4pp. advertisements at end, old ink signature at head of title, some light browning and soiling, final leaf of text with small repair to upper inner margin, original boards, uncut, rubbed, rebacked preserving part of old paper label on spine, preserved in later red morocco drop-back box with metal catch, gilt, slightly rubbed, [Tooley 427], 8vo, [1812].

Estimate: £200 – £300; Starting Bid £180 –  Sold for £496

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Lot 344:

Wilson-Bloomsbury-11-7-13

Wilson (Harriette) – [?Heath (Henry)] Illustrations of Harriette Wilson’s Memoirs,

12 hand-coloured etched plates, 3 signed “H.H.”, c.170 x 140 or vice versa, 7 trimmed to border or just outside plate-mark and tipped into blank leaves, light soiling, one or two small tears to edge of image (repaired), engraved circular bookplate of Sir David Lionel Salomons, Bart., later dark blue morocco, gilt, by Bumpus of Oxford, spine gilt, very slightly rubbed and marked, 4to, S.W.Fores, 1825.

Estimate: £1,000 – £1,500; Starting Bid £900 – Sold for £1736

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Millea Bros. November 9, 2013.  Asian, English, Modern Books

Lot 1473:

Millea-works-covers-11-9-13

Austen, Jane. Works. London, 1925. (10) volumes, 8vo., red morocco – Condition report: overall good, bindings good, a few scuffs and nicks

Estimate: $500-700. [no price realized available]

There is no further description about this set in the auction catalogue, but it is the 1925 George Harrap reprint of the 1908-9 Chatto & Windus edition of the novels, with illustrations by A. Wallis Mills.  Here is one illustration:

Millea-works-illus-11-9-13

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Bonham’s:  12 November 2013. Books, Atlases, Manuscripts and Photographs including the Aldine Collection of the late Sir Robert Horton, London.

Lot 165:

Bonhams-Emma-11-12-13

Austen, Jane. Emma: A Novel, 3 vol., first edition, half-titles in volumes 2 and 3 only, advertisement leaf at end of volume 3, light scattered foxing, stitching becoming loose with P3-4 in volume 1 partially detached, ownership signature of “M.E. Malden” on endpapers, contemporary half calf, worn, 3 covers detached, 4 corners strengthened with vellum, spines cracked [Gilson A8], 12mo, John Murray, 1816.

Estimate:  £4,000 – 6,000 (US$ 6,400 – 9,600) – Sold for £5,250 (US$ 8,435) inc. premium

*****************

Christies: 15 November 2013. Sale 9702: Fine Printed Books and Manuscripts. London.

Lot 402:

Christies-P&P-11-15-13Austen, Jane. Pride and Prejudice. London: T. Egerton, 1813. 2nd edition. 3 volumes, 12° (173 x 115mm). (Lacking half-titles, P2 at end of volume one with small marginal repair, tiny orange marginal mark to L5v of vol. II and lighter mark on a few other leaves, some spotting occasionally heavier.) Contemporary calf (rebacked, extremities lightly rubbed).

Estimate: £2,000 – £3,000 ($3,234 – $4,851) -

Sold for £2750 ($4,406)     

**********

Lot 403:

Christies-NA-P-11-15-13Austen, Jane. Northanger Abbey: and Persuasion… With a Biographical Notice of the Author [by Henry Austen]. London: C. Rowarth [vols I-II], and T. Davison [vols III- IV] for John Murray, 1818 [but ca. 20 December 1817]. 4 volumes, 12° (169 x 100mm). Half-titles. (Some occasional light browning and spotting, without final blanks P7-8 in vol. IV as often.) Contemporary half calf, leather gilt spine labels, speckled edges (front cover of vol. I nearly detached, front joints cracked and restored in vol. III, extremities lightly rubbed). Provenance: Maria Cipriani (ownership inscription). FIRST EDITION OF BOTH NOVELS.

Estimate: £3,000 – £5,000 ($4,851 – $8,085) – Sold for £4,750 ($7,610)

************

Of interest:

Lot 148:

Christies-Wollstonecraft-11-15-13

WOLLSTONECRAFT, Mary (1759-1797). Thoughts on the Education of Daughters with Reflections on Female Conduct, in the more important Duties of Life. London: J. Johnson, 1787. 8° (150 x 98mm). G6 a cancel as usual. (Short tear to last leaf.) Contemporary half calf (rebacked, extremities rubbed).

FIRST EDITION OF WOLLSTONECRAFT’S FIRST BOOK. Although it was an educational manual, the ‘more or less veiled remarks about her own emotional state … make it abundantly clear that she was far more interested in the state of her own life and the prospects that lay ahead of young women than in their years at school’ (Claire Tomalin, The Life and Death of Mary Wollstonecraft, London: Pelican, 1977, pp. 58-59). GOOD COPY. Rothschild 2595.

Estimate: £1,800 – £2,500 ($2,898 – $4,025) – Sold for £3,750 ($6,008)

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Christies: 20 November 2013. Sale 1160. Valuable Manuscripts and Printed Books. London.

Lot 84:

MP-Christies-11-20-13[AUSTEN, Jane (1775-1817).] Mansfield Park: A Novel… By the Author of “Sense and Sensibility,” and “Pride and Prejudice.” London: T. Egerton, 1814.

FIRST EDITION. 3 volumes, 12° (176 x 102mm). Half-titles. (Lacking blank O4 in volume II and advertisement leaf in volume III, occasional faint spotting.) Contemporary calf, flat spines with compartments ruled in gilt, green morocco gilt spine labels to second compartments, the others tooled in blind, speckled edges (extremities very lightly rubbed).

Estimate: £4,000 – £6,000 ($6,484 – $9,726) –  Sold for £13,750 ($22,138)

Lot 85: (another one!)

NA&P-Christies-11-20-13[AUSTEN, Jane (1775-1817).] Northanger Abbey: and Persuasion … With a Biographical Notice of the Author [by Henry Austen]. London: C. Rowarth [vols I-II], and T. Davison [vols III- IV] for John Murray, 1818 [but c. 20 December 1817].

4 volumes, 12° (177 x 103mm). Half-titles. (Some occasional light spotting, without final blanks P7-8 in vol. IV.) Contemporary calf, tan morocco gilt spine labels, speckled edges (extremities lightly rubbed, spines more heavily). Provenance: Baroness Keith of Meiklour House (bookplates). 1st edition of both novels.

Estimate: £4,000 – £6,000  ($6,484 – $9,726) – Sold for £7,500 ($12,075)

************

Also of interest at this auction:

Lot 124:

johnsondictionary-christies-11-20-13JOHNSON, Samuel (1709-1784). A Dictionary of the English Language in which the words are deduced from their originals, and illustrated in their different significations by examples from the best writers. London: W. Strahan for J. and P. Knapton [and others], 1755.

FIRST EDITION. 2 volumes, 2° (405 x 250mm). Titles in red and black, woodcut tail-pieces. (The first title with repaired losses and tears affecting some letters, the titles and a few leaves repaired in the inside margin, some marginal tears and some of these repaired, occasional mostly marginal soiling and spotting, faint dampstain in the margins of some leaves in vol. II.) Contemporary calf (neatly rebacked to style, corners repaired, sides scuffed). Provenance: David Tennant (title signature, some marginalia including on the verso of second title) — Stewart of Glasserton (bookplate).

Estimate: £5,000 – £8,000 ($8,105 – $12,968) – Not Sold

******************

All images are from each of the auction house websites, as cited.

Happy browsing!

c2013 Jane Austen in Vermont

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UPDATE:  Mr Darcy’s [a.k.a Laurence Olivier] jacket sold for $6,500. – estimate was $1500. – $2000. (this price is not yet verified by the auction house) – more to come later today re: Gladiator!

 There is a Hollywood auction taking place today in California – the Profiles in History auction house has a number of Hollywood artifacts being offered at their Hollywood Auction 56, the costumes for the Sound of Music movie for starters. But here is one item of interest to Jane Austen followers, a pure piece of Austen and movie memorabilia to grace anyone’s closet:

Darcyjacket

Lot 422: Laurence Olivier screen-worn “Mr. Darcy” jacket from Pride and Prejudice.

Estimated Price: $1,500 – $2,000   starting bid: $1,500

Description:

Laurence Olivier screen-worn “Mr. Darcy” jacket from Pride and Prejudice. (MGM, 1940).

A beautiful smoking jacket, screen-worn by Laurence Olivier as “Mr. Darcy” in the epic film adapted from the classic Jane Austen novel, Pride and Prejudice. Consisting of crimson, corded silk jacket with wide quilted satin lapels, black braid brocade loop and cloth-covered button front closure, integral sash with black fringed ends, crème-colored pleats peeking from sleeve cuffs and dark maroon satin lining throughout. MGM internal bias label on inside collar with “Larry Olivier” handwritten in black ink. This striking costume exhibits barely detectable age and wear. Fabric remains fresh with colors vibrant. Overall in vintage fine condition.

*******************

and view the various other pieces of Hollywood history that are available, 988 lots in total, from Marilyn Monroe to the Von Trapps – the catalogue itself a work of art and collectible for any movie nut. Here is the link to the flipbook – Mr. Darcy’s jacket is on page 141, right next to Gary Cooper’s costume from Sergeant York and opposite Judy Garland Wizard of Oz posters…

It all goes live this morning 11:00 am. PST!

olivier-darcy

p.s.: do you think Mr Darcy SMOKED??

p.s. 2: just so you don’t think that my other fantasies are not touched on in this auction, if you go to page 298-300, you will find the following:

Maximus tunicRussell Crowe-Gladiator

Lot 803: Russell Crowe’s Maximus tunic from Gladiator.

Estimated Price: $2,000 – $3,000

Description:

Russell Crowe’s Maximus tunic from Gladiator. (DreamWorks, 2000) This tunic was worn by Russell Crowe as “Maximus” in Gladiator. The sleeveless, knee-length tunic is constructed from studio-distressed, unbleached cotton homespun fabric and lined with a light weight muslin reinforcement lining. A bias tag with “Max” written in black ink is sewn under the muslin lining at the back of the neck.  “Max” wears this tunic when he is abducted from his destroyed home by Roman slave traders and taken to Zucchabar, a Roman city in North Africa. There, he is bought by the trader “Proximo” and forced to become a gladiator. Accompanied by a letter of authenticity from the costumer.

[Note: Bidding for this item begins on July 29, 2013, 11:00 am PST]

I might just have to buy this catalogue!

c2013 Jane Austen in Vermont

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I have Tea on the brain because our JASNA-Vermont group is planning a Regency-style Afternoon Tea at The Governor’s House in Hyde Park on July 24th, 2013  [$25. / person, reservations required]

And so, Tea being on my radar [where it always is really...], I find there are a number of tea caddies up for auction at Sworders, Fine Art Auctioneers.

These are particularly lovely: [Lot 69]

teacaddies-sworders

A pair of George III oval papier mâché tea caddies

Birmingham, c.1780, by Henry Clay, the first with a hinged lid decorated with bands of berried leaves and anthemia centred by a hallmarked silver loop handle stamped with the initials ‘HC’, the body with transfer decorated scenes of Demeter in the House of Kelos together with other classical figures, instruments and a painted chevron band, the second similarly decorated, but with palmette borders, 11cm high  Provenance:  By repute the Earls of Jersey, Osterley Park Middlesex, sold 1949.  Literature:  For a similar single caddy, ‘The Robert Harman Collection’, Sotheby’s, 12 November 1999, lot 6.  The silver loop handle carries the hallmark of Henry Clay, ‘Japanner in Ordinary to His Majesty and His Royal Highness The Prince of Wales’.  Clay specialised in Etruscan-style decoration of this kind.  A visitor to his workshop in Covent Garden in 1775 reported that he made boxes, tea caddies, panels for coaches and sedan chairs, coffee trays and ‘…all kinds of other vessels, black with orange figures in the style of Etruscan vases’ (‘George Christoph Lichtenberg’s Visits to England as described in his Letters and Diaries’, translated and annotated by M L Mare and W H Quarrell, Oxford, 1938).

Estimate: £5000 – £8000

Or this: [Lot 60]

teacaddy2-sworders

A George III tea caddy

of rectangular form with canted corners, the lid in harewood (?) with an inlaid oval patera within strung borders, the front panel in mahogany similarly decorated, the canted corners inlaid with plain shaded columns on a stained ground, 11.5cm high.

Estimate:  £500 – £800

You can view these here, and see the other 25 or so other tea caddies for sale here.

[Image and text from Sworders - Fine Art Auctioneers - Summer House Country Sale, 16 July 2013]

And on the subject of Tea, here are some offers from Twinings: [with thanks to Tony Grant for sending the link!]

twiningstea

c2013 Jane Austen in Vermont

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Several interesting (and largely expensive!) items will be up for auction in the next month:

CHRISTIES: Sale 8952: Fine Printed Books and Manuscripts, 18 June 2013, London.

P&Ptp - christies 6-18-13Lot 174: 

AUSTEN, Jane (1775-1817). Pride and Prejudice. London: T. Egerton, 1813. 3 volumes, 12° (173 x 115mm). (Lacking half-titles, P2 at end of volume one with small marginal repair, tiny orange marginal mark to L5v of vol. II and lighter mark on a few other leaves, some spotting occasionally heavier.) Contemporary calf (rebacked, extremities lightly rubbed).

Second edition. Pride and Prejudice was written between October 1796 and August 1797 when Jane Austen was not yet twenty-one, the same age, in fact, as her fictional heroine Elizabeth Bennet. After an early rejection by the publisher Cadell, Austen’s novel was finally bought by Egerton in 1812 for £110. It was published in late January 1813 in a small edition of approximately 1500 copies and sold for 18 shillings in boards. The present second edition is thought to have been published in October that same year. Gilson A4; Keynes 4. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

 

Lot 175: 

AUSTEN, Jane (1775-1817). Sense and Sensibility, London: printed for the Author and published by T. Egerton, 1813. 3 volumes, 12° (176 x 105mm). (Lacking half-titles and without final blanks, occasional light spotting.) Contemporary calf, gilt spines (joints splitting, corners very lightly bumped, small blank stain to vol. II). S&S - Christies 6-18-13

Second edition of Jane Austen’s first published novel which grew from a sketch entitled Elinor and Marianne, written in 1795 in the form of letters; it was revised 1797-1798 at Steventon; and again in 1809-1810, the first year of Jane Austen’s residence at Chawton. Thomas Egerton undertook the publication of the first edition in 1813 on a commission basis, and Jane Austen ‘actually made a reserve from her very moderate income to meet the expected loss’. The price of the novel was 15 shillings in boards and advertisements first appeared for it on 30 October 1811. The present second edition is believed to have been printed in October 1813 as the first edition sold out in less than two years. Gilson A2; Keynes 2. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

Lot 192:

SETS, English and French literature — AUSTEN, Jane. Works. Illustrated by C.E. Brock. London: 1907. 6 volumes, 8°. Contemporary red half calf, spines lettered in gilt (extremities rubbed). [With:] ELIOT, George. Works. Library Edition. Edinburgh: 1901. 10 volumes, 8°. Contemporary blue half roan, spine tooled in gilt (spines evenly faded, extremities rubbed). [And:] BALZAC, Honoré de. Oeuvres completes. Paris: 1869-1876. 24 volumes, 8°. Contemporary red half roan, spines lettered in gilt (extremities rubbed). And 5 related others [ie. Maupassant, Corneille, Rabelais, Macaulay] in 33 volumes, 12° and 8°. (73)

Estimate: £500 – £800 ($755 – $1,207)

PP lizzy - brock

Brock – P&P

[Image from Mollands]

******************

Other items of interest at this Christie’s auction (i.e., what I would love to have!):

Lot 75:

ACKERMANN — Microcosm of London. London: T. Bensley for R. Ackermann [1808-1810, plates watermarked 1806-1808]. 3 volumes, 4° (330 x 272mm). Engraved titles, engraved dedication leaves, and 104 hand-coloured aquatint plates by Buck, Stadler and others after Rowlandson and Pugin. (Lacking half-titles, light offsetting from the plates onto the text, some text leaves evenly browned.) Late 19th- early 20th-century red half calf, spine gilt in compartments, morocco labels (spines lightly and evenly faded).

ackermann london - christies 6-18-13

ONE OF ACKERMANN’S FINEST BOOKS, the rumbustious figures of Rowlandson are the perfect foil to Pugin’s clear and accurate architectural settings. Printing continued for nearly 30 years but, as Abbey notes, the ‘original impressions of these splendid plates have a luminous quality entirely absent from later printings’. This copy is evidently bound from the original parts: with the first issue of the contents leaf in volume 1, and all the errata uncorrected in volumes 2 and 3, and 5 out of 6 errata corrected in volume 1. This copy shows 2 of Abbey’s first state points for the plates: at plates 8 and 11 in volume 1. Abbey Scenery 212; Tooley 7. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

****************

BONHAMSBooks, Maps, Manuscripts and Historical Photographs 20752, 19 Jun 2013 London.

Lot 139: 

S&S1st - bonhams 6-19-13[AUSTEN (JANE)]. Sense and Sensibility: a Novel. In Three Volumes. By a Lady, 3 vol., first edition, without half-titles, final blank leaf present in volume 2 only, some pale foxing and staining, contemporary calf, sides with gilt and blind-tooled borders, rebacked preserving most of original backstrips and red morocco labels [Keynes 1; Gilson A1; Sadleir 62a], 12mo (173 x 104mm.), Printed for the author, by C. Roworth… and published by T. Egerton, 1811. FIRST EDITION OF JANE AUSTEN’S FIRST PUBLISHED NOVEL. According to Keynes, Egerton printed no more than 1000 copies, priced at 15 shillings in boards; all were sold by the middle of 1813.

Estimate: £15,000 – 20,000  US$ 23,000 – 30,000 €18,000 – 23,000

 

*****************

 

Also of note in this auction: a first edition of Jane Eyre

Lot 147: 

[BRONTE (CHARLOTTE)]. Jane Eyre. An Autobiography, 3 vol., first edition, with all but two of the printing flaws listed by Smith, half-titles in each volume (but without the additional fly-leaf and advertisements), volume 2 with additional 8-page ‘Ready Money Price List of Drawing & Painting Materials… Alexander Hill’ tipped-in on front free endpaper (seemingly removed from other volumes), original price of “31/6″ marked in pencil on front paste-down of volume 1, a few leaves slightly creased, some light foxing and occasional soiling in margins, UNTRIMMED IN PUBLISHER’S GREY BOARDS with grey/brown diaper half cloth spine, rubbed, spine label to volume 1 chipped with loss of 2 or 3 letters, split to lower joint of volume 2, crease to upper cover of volume 3, [Sadleir 346; Smith 2; Grolier, English 83], 8vo (199 x 122mm.), Smith, Elder, and Co., 1847janeeyre - bonhams 6-19-13

 

Footnotes

FIRST EDITION OF THE FIRST BRONTE SISTERS NOVEL: AN EXTREMELY RARE VARIANT IN ORIGINAL BOARDS, ENTIRELY UNTRIMMED AND WITH THE ORIGINAL PRICE OF ’31/6′ MARKED IN PENCIL. The binding seems to correspond with Smith’s variant B (allowing for some fading of the cloth over the years), but with white rather than yellow endpapers and a further slight variation in the printed spine labels, those on the present set having no semi-colon after “Eyre” and the words “In Three Volumes” inserted above the volume number. We can find no trace of any other copy in original boards having sold at auction.

Provenance: the tipped-in small price list of drawing and painting materials suggests an Edinburgh connection at or soon after the time of publication. Alexander Hill (of Princes Street, Edinburgh, younger brother of the painter David Octavius Hill) was publisher, artists’ colourman and printer to the Royal Scottish Academy from 1830 until his death in 1866. In 1847 he was also appointed printseller and publisher in Edinburgh to Queen Victoria and Prince Albert (see National Archives, LC 5/243 p.61). The price list tipped-in to this copy gives Hill’s address as 67 Princes Street, where he had a shop from 1839 until his death, and mentions the royal appointment, reference to which he seems to have dropped by 1853.

Estimate: £30,000 – 50,000  US$ 45,000 – 75,000 €35,000 – 58,000

*********************

BONHAMS:  Fine Books and Manuscripts 20981: June 25, 2013, New York

Lot 3259

[Austen, Jane]. Northanger Abbey: and Persuasion. With a Biographical Notice of the Author. London: John Murray, 1818. 4 volumes. 12mo (180 x 105 mm). [2], xxiv, 300; [2], 331, [2], 280; [2], 308 pp. Without half-titles. Period half calf over marbled boards, spines gilt. Extremities rubbed, typical light spotting and toning, pp 251-262 in vol 3 creased at outer margin, ffep. in vol 1 loose, volume 4 more so with a crack down spine, a little re-touching to vol 2 spine.

NA P 4v- Bonhams image

Provenance: T. Hope (early ownership stamps); purchased by the family of the current owner in 1960 from McDonald Booth. FIRST EDITION IN CONTEMPORARY BINDING of Jane Austen’s last published work, issued a year after her death. Persuasion was in fact her first novel, but its first appearance is in this set. This was also her only four-volume publication, all previous works were issued in “triple-deckers.” Gilson A9; Sadleir 62e.

Estimate:  US$ 5,000 – 8,000 £3,300 – 5,300 €3,900 – 6,200

 

Lot 3260: 

E - bonhams 

[Austen, Jane]. Emma: A Novel. In Three Volumes. By the author of “Pride and Prejudice” &c. &c. London: Printed for John Murray, 1816. 3 volumes. 12mo (176 x 112 mm). [6], 322; [2], 351, [1]; [4], 363, [1 ad] pp. Half-titles in vols 1 & 2. Old green marbled boards rebacked to style in calf, green morocco spine labels. Intermittent spotting and browning; vol 2 L8 with corner tear crossing a few letters.

FIRST EDITION. Emma is the only one of Jane Austen’s novels to bear a dedication, to the Prince Regent. It was her fourth novel to be published with a print run of 2000 copies. Gilson A8; Sadleir 62d.

Estimate:  US$ 8,000 – 12,000 £5,300 – 8,000  €6,200 – 9,300

***************

And finally, this letter from Frances Burney to her father comes to auction in just a few days:

Dreweatts / Bloomsbury auction: Important Books & Manuscripts – 30th Anniversary Sale,30 May 2013 London

Lot 171:  

burney letter - dreweatts 5-30-13

Burney  (Frances [Fanny], married name D’Arblay, writer, 1752-1840) Autograph Letter initialled “FB d’A” to her father, Charles Burney, “My dearly beloved Padre”, 4pp. with address panel, 8vo, Chenies Street, 12th June 1813, lamenting that she had not been able to visit him, “but some Giant comes always in the way. Twice I have expected Charles [Charles Burney (1757-1817), schoolmaster and book collector; brother of Fanny], to convey me: but his other engagements have made him arrive too late”, social activities, “Yesterday I dined with Lady Lansdowne, & found her remarkably amiable. She is niece to a person with whom I was particularly acquainted of old, at the Queen’s house, Mr. Digby, who was vice Chamberlain; & that made a little opening to converse… Lady Anne was in high spirits, & full of sportive talk & exhilarating smiles. We had no sort of political talk. All was elegant, pleasing, & literary”, and Sir Joshua Reynolds portrait of Dr Burney, “Every body talks of your portrait at Sir Joshua’s exhibition, & concurs in saying it is one of the best that greatest of English Masters ever painted. I have not yet, to my infinite regret, found time for going thither. Mrs. Waddington will positively take me once to Chelsea, to pay her respects to you; but she is prepared for being denied your sight, if you should be ill-disposed for company. Sally must see her at all events: besides she is a great admirer of Traits of Nature”, ink postal stamp, remains of red wax seal, folds, slightly browned.

*** Unpublished; not in The Journals and Letters of Fanny Burney (Madame D’Arblay), edited by Joyce Hemlow & others, Oxford, The Clarendon Press, 1972-75.

Estimate: £3,000-4,000

[Images and text from the respective auction sites]

c2013, Jane Austen in Vermont

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The Leslie Hindman Auctioneers sale on April 10, 2013 in Chicago: Sale 239 – Fine Books and Manuscripts  [preview starts April 6] has three items of interest to collectors and readers of Jane Austen, and this time a pleasant surprise to see them in a more affordable range…

1.  Lot 319:

MP-2ded

* JANE AUSTEN.  Mansfield Park. London: J. Murray, 1816.

3 vols. 12mo, modern quarter morocco, renewed endpapers. Second edition. Lacks half-titles; 2-inch tear to title page vol. 2 restored; spines deteriorating and hinges cracked; otherwise the interior is in near fine condition with very little brownspotting.

Estimate $ 1,000-2,000.

 

2.  Lot 320:

Fragment

* JANE AUSTEN.  Fragment of a Novel, written January-March 1817. Now First Printed from the Manuscript [Sandition]. Oxford: Clarendon Press, 1925.

8vo, publisher’s cloth-backed blue boards, printed spine label, facsimile frontispiece. Limited edition facsimile, one of 250 copies on handmade paper. Boards lightly soiled with some loss to spine label; otherwise very good.

Estimate $ 100-200.

 

3. Lot 434A:

works-1882

JANE AUSTEN.  Works (COLLECTED WORKS). London: Richard Bentley and Son, 1882.

6 vols. 8vo, 3/4 maroon morocco over decorative boards, title in gilt to black leather spine labels, t.e.g. Light edgewear; otherwise fine.

Estimate $ 100-200.

__________

My note:  this last item does not offer a very comprehensive description, so I would suggest an inquiry to the auction house for more information.  This is likely the Steventon Edition that Bentley published in 1882, limited to 375 sets; size is 20.5 cm, or a small octavo (8vo), obviously rebound here; there are illustrations (those that appeared in Bentley’s original Standard Novels of 1833, and a few additional woodcuts and a facsimile of Austen’s letter to Anna Lefroy (29 Nov 1814)) – full information on the edition can be found in Gilson at D13; but again, please check with the auction house to verify that it is this edition (there was a reissue in 1886).  The interest in the Steventon Edition is that it was the last complete edition of Jane Austen’s works to be published by Bentley, her major publisher in England from 1833 to 1882, and holder of the copyrights until their various successive expiry dates.

[Images from the Leslie Hindman Auctioneers website.]

c2013 Jane Austen in Vermont

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